Ghost Sick—Emily Pohl-Weary

ISBN: 9781926639826

PRICE: $14.95—special sale price!

Winner of the 2016 Fred Cogswell Award for Excellence in Poetry!





When a Christmas Eve shooting devastated Emily Pohl-Weary’s community, she began to hunt through the numbness and grief for some understanding and hopefulness about the future. In the tradition of Carolyn Forché, Ernesto Cardenal, and Shu Ting, Ghost Sick is a poetry of witness. It chronicles the impact of violence on an inner-city Toronto neighbourhood, the power of empathy, and the resilience of the human spirit.

“A hard, sad, and beautifully necessary collection of poems. A book that helps us claw our way back from the edges of our own teetering lives.”—Susan Musgrave, author of A Man to Marry, A Man to Bury

“Ghost Sick focuses on violence and its personal cost in a Toronto neighbourhood, starting from the writer’s childhood to the present, the wasted lives, the pain and loss of her own and those of people dear to her.”—Marge Piercy, New York Times bestselling author of Gone to Soldiers

“These are not easy poems to forget, so take a deep breath, and plunge right in. The world will not look the same when you re-emerge, but the rewards are immense: you come away from these poems open to possibility, hopeful for change, and knowing you are not alone in that struggle.”—Carolyn Smart, author of Hooked

“Pohl-Weary’s gritty vernacular got game, got street cred. Like Holocaust witness poet Paul Celan, Pohl-Weary checks tabloids, billboards, newsflashes, for the language to bespeak domesticated violence.”—George Elliot Clarke, Halifax Chronicle-Herald

“The poems in Ghost Sick coalesce into a very strong, coherent collection that should be read from cover to cover . . . this is a book that looks forward towards a better city, better citizens, and a better society.” —Andrew Woodrow-Butcher, Broken Pencil

“Ghost Sick takes your breath away and leaves you wanting more. A great read that makes you think about what it means to bear witness to tragedy.”—Christine Smith (McFarlane), Shameless Magazine

“A nuanced, wrenching and ultimately heart-opening poetry collection that took eight years to write—nearly a decade of trying to grapple with the shooting death of a young man in her Parkdale neighbourhood.” —Yukon News

Ghost Sick by Emily Pohl-Weary is a collection of poems that witness. They are testimony, commentary, and emotional responses to the crime, drugs, loss of innocence and more in a Toronto neighborhood and other places where lives are wasted and lost too easily.”—Serena Agusto-Cox, Savvy Verse and Wit

Emily Pohl-Weary is an award-winning author, editor, arts educator, and academic. She is the author of several books, including the emily-pohl-wearynovels A Girl Like Sugar and Strange Times at Western High; the young adult novel Not Your Ordinary Wolf Girl; the poetry collection Iron-on Constellations; and the biography Better to Have Loved: The Life of Judith Merril, which won a Hugo Award for Best Related Book.

Posted in Award Nominees & Winners, emilypw, G, Poetry, poetrysale, special holiday sale, spring 2015, Valentine Sale, Winter 2015 | Tagged , , , , , , , , , , , , , , |

Dealers | Viktor Mitic

Dealers-Victor MiticISBN-10: 1926639146
ISBN-13: 9781926639147
Price: $32.95
Pub Date: Fall 2009


In this remarkable portrait-survey of thirty-six of Toronto’s most distinctive and influential art dealers, artist Viktor Mitic has captured and illuminated the unique individual personalities of his subjects.

Depicting by turns their passion, insouciance, vivacity, shrewdness, eccentricity, geniality, and more, these portraits successfully reflect the rainbow of human emotion and expression.

As Gary Michael Dault says in his insightful introductory essay, “there isn’t a portrait here that doesn’t provide not only a fine likeness of its subject, but also a telling, charming, incisive route into the sitter’s essential nature.”

Viktor Mitic was born in Belgrade, Serbia. A University of Toronto graduate artist, classically trained in art schools in Europe, Mitic has produced a major body of work that spans a career of over two decades. For a number of years, he was painting non-representational paintings using natural elements such as rain and hail to render surfaces of the paintings in oils on canvas. Mitic has successfully integrated various materials into his recent body of work: charcoal, graphite, oil, acrylic, watercolour, pen and ink, and japanese traditional natural pigment. He has recently developed a distinctive, some would say provocative, method; he paints portraits of international iconic images and later shoots the outline of the figures using various weapons and live ammunition. He has had many successful solo and group shows of his paintings in Europe, the United States, Canada, and, most recently, Japan. Viktor Mitic lives in Toronto.

Gary Michael Dault is a writer, painter, and art critic in Toronto. He is the author—or co-author—of a number of books, including Cells of Ourselves with artist Tony Urquhart (Porcupine’s Quill, 1989), Esko Mannikko: Mexas (Hasselblad Center, Gothenburg, Sweden, 1998), Photographs by Tom Sandberg (Astrup-Fearnley Museum, Oslo, 2000), The Prix de Rome in Architecture: A Retrospective (Coach House Books, 2006), and Captive: The Zoo Photographs of Volker Seding (Les 400 Coups, Montreal, 2007). He has published a number of books of poetry, including The Milk of Birds (Mansfield Press, 2006) and Southwester (Lyricalmyrical Press, 2007). His Handyman: New Poems is forthcoming from the Black Moss Press. A limited edition of his Hebdomeros Suite—with watercolours by David Bolduc—is forthcoming from Coach House Books. Dault has written widely about contemporary art in Canada in journals such as Canadian Art, Border Crossings, Ciel Variable, Prefix Photo, Parkett, and ARTNews. He contributes the weekly art-review column, “Gallery Going,” to the Globe and Mail, and has written innumerable catalogue essays for galleries and museums. As a practicing artist, Dault has exhibited frequently, most recently at Toronto’s Peak Gallery, Gallery Page & Strange in Halifax, and the Michael Gibson Gallery in London, Ontario. Upcoming in 2010, he has exhibitions at Index G in Toronto and Modern Fuel in Kingston, Ontario. Among his writings for television is the six-hour mini-series, Inside the Vatican with Sir Peter Ustinov (1993). His writings for the stage include Alice in the Orchestra (with composer Gene Di Novi, 2005), The Goal (with composer Eric Robertson, 2003), and, also with Eric Robertson, Hauntings for Orchestra (2007).

Praise for the paintings of Viktor Mitic:

“Provocative art with religious connotations.”
—Peter Goddard, Toronto Star

“Serious painting, but it’s fun . . . there is levity to it.”
—Terry Graff, Telegraph Journal

[He’s] taken . . . an iconic religious image and used a gun on it . . . What next?
—Mark Coles, BBC

Posted in Art, Catalogue, D, Fall 2009, Non-fiction | Tagged , , , , |