Join us on April 12, 7:30 pm at Glad Day Bookshop (499 Churst St) for the the launch of our three spring 2017 poetry titles: Prosopagnosia by Ron Charach, Seasons in an Unknown Key by Karen Mulhallen, and Closer to Where We Began by Lisa Richter.
Join us on April 12, 7:30 pm at Glad Day Bookshop (499 Churst St) for the the launch of our three spring 2017 poetry titles: Prosopagnosia by Ron Charach, Seasons in an Unknown Key by Karen Mulhallen, and Closer to Where We Began by Lisa Richter.
In her latest collection of poems, Karen Mulhallen takes us on a physical journey through the course of a year and on a spiritual journey through many lives. The beauty of birds, the amour fou of the inconstant lover, the rapture of the past in the history of Toronto Islands and of the city of Pompeii. This is a poet at the height of her art, crafting language and rhythm, to mirror the ebb and flow of the scene. A compelling and devastating group of poems.
“Through Mulhallen’s poems we enter ‘the mangled beauty of the world.’ In the small universe of her exquisite urban garden visited by hawks; in the large universe of her language where words, archaic and modern, sing, we share her elegiac apology to our despoiled planet and her need to celebrate the beauty of now, with love and longing.” —Rosemary Sullivan, author of Stalin’s Daughter
Karen Mulhallen was born in southern Ontario and has spent her life as a teacher, editor and writer. She has published eighteen previous books and numerous articles on the arts and culture. karenmulhallen.com
Lisa Richter’s Closer to Where We Began is a diverse collection of poetry that follows the speaker on a path of self-discovery. The collection navigates the tension between memory and imagination, between the personal and the political, and the primacy of sensual, sensory, lived experience. These dream-like poems not only concern themselves with the speaker, but with urban and natural environments, friends, family, and lovers, past and present. The poet explores overlapping/intersecting identities that shape and inform us, celebrating the importance of telling our stories as a means of bringing us closer to our authentic selves.
“Lisa Richter weaves time and place with grace and expertise throughout the poems in this her first collection, Closer to Where We Began. Sensual, delicate yet biting, these poems sweep forward and back with energy and insight proving ‘the heart is a finite muscle of blood and music.’ By following the rhythm of each poem’s unfolding we are led to a ‘deeper quiet.’ A rich and resonant book.”—Catherine Graham, author of Her Red Hair Rises with the Wings of Insects
‘”Invoke the light…” writes Lisa Richter, ‘the light that leaves nothing / in its wake that is cold or unkind.’ With a richness in metaphor and a clarity of vision, Richter deftly travels the reader through seasonal tapestries of nature, across many identities, into many cities, and inside the bounds of family. Yet losses, and the world’s coldness and cruelty are not ignored, but rather, their pains and truths explored poetically: ‘the tongue finds its muse in the most sour of ripenings.’ The confidence and tenderness of Richter’s voice, and her mastery of form, makes Closer to Where We Began a rich and compelling read.”—Maureen Hynes, author of The Poison Colour
“Richter excavates memory as a geography forged by the complexities of human relationships. To read her work is to be transported into an alternate landscape wherein each encounter has been dissected and reassembled with a simultaneously commanding and vulnerable acuity.”—Robin Richardson, author of Knife Throwing Through Self-Hypnosis
Lisa Richter’s work has appeared in or is forthcoming in The Puritan, Minola Review, The Malahat Review, Canthius, and lichen, amongst others, and has been longlisted for the CBC Poetry Prize. Closer to Where We Began is her first full-length collection of poetry. Lisa lives and teaches English in Toronto.
Guest edited by Helen Humphreys, this ninth edition of Canada’s vibrant yearly anthology features the fifty finest Canadian poems published during 2015. The Best Canadian Poetry series, which thrives under the stewardship of acclaimed series editor, Molly Peacock, and assistant series editor, Anita Lahey, ushers readers into the heart of the diverse Canadian poetry scene. A must-read for anyone with a stake or interest in contemporary Canadian literature.
“Humphreys’ selections are a balanced mix of yearning and optimism, and she skillfully brings the solo works together in a collection as complex and satisfying as a symphony.” —Publishers Weekly
“For nine years, this series has been presenting the best of Canada’s published poems in an annual anthology, under the guidance of series editor and poet Molly Peacock… Best Canadian Poetry in English 2016 contains 50 bits of eternity, arranged alphabetically by author from James Arthur to Tara-Michelle Ziniuk.”—Merilyn Simonds, Kingston Whig-Standard
“From love and loss to the political, from formal to informal verse, the Best Canadian Poetry series offers an annual sampling of voices and experiences—a little slice of Canadiana that may be appreciated beyond borders as well.” —Lori A. May, Examiner.com
“The wide range of writers, forms and themes represented here make it a great jumping-off point for readers who might be interested in Canadian poetry but are unsure about where to start.”—Emma Healey, Globe and Mail
Helen Humphreys is the award-winning author of four books of poetry, seven novels, and three works of creative non-fiction. Her most recent works are The Evening Chorus (HarperCollins, 2015) and The River (ECW Press, 2015). She lives in Kingston, Ontario, where she is also the city’s Poet Laureate.
Anita Lahey is a poet, journalist, reviewer, and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award.
Molly Peacock is a widely anthologized poet who writes biography, memoir, and fiction. Her newest work is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka. She is also the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72, both from McClelland and Stewart. Her forthcoming book of poetry is The Analyst, poems about psychoanalysis, poetry and painting, from W.W. Norton and Biblioasis. She is the subject of Jason Guriel’s monograph, Molly Peacock: A Critical Introduction.
BCP 2016 poets:
James Arthur • Joelle Barron • Hugo Beauchemin-Lachapelle (translated by Alexander Rock) • andrea bennett • Sheri Benning • Tim Bowling • Julie Bruck • Suzanne Buffam • Dani Couture • Lynn Crosbie • Kayla Czaga • Dorothy Field • Kim Fu • Michelle Good • Laurie D. Graham • Jane Eaton Hamilton • Steven Heighton • Jason Heroux • Gerald Hill • Amber Homeniuk • Maureen Hynes • Sally Ito • Amanda Jernigan • Kate Kennedy • M. Travis Lane • Jeff Latosik • Evelyn Lau • Randy Lundy • Sneha Madhavan-Reese • Lee Maracle • Stephen Maude • Cassidy McFadzean • David McGimpsey • Steve McOrmond • A.F. Moritz • Hoa Nguyen • Elise Partridge • Matt Rader • Rachel Rose • Armand Garnet Ruffo • Douglas Burnet Smith • Kilby Smith-McGregor • Karen Solie • John Steffler • Kate Sutherland • Sylvia Symons • John Terpstra • Souvankham Thammavongsa • Nick Thran • Tara-Michelle Ziniuk
Opening with an aubade for the labyrinthian corners of Bombay’s largest slum, Tourist is a collection that is unafraid of shadows, and aims to unearth the unseen. Set across time and landscape—modern day Michigan, 1970’s Cambodia, WWI England, the kaleidoscopic mindscape of an Alzheimer patient—these poems draw us into lives that, initially, seem foreign, yet provoke our solidarity in the face of disorientation—a boy facing his first bankruptcy, an elephant facing destruction at the hands of poachers. The book culminates in ‘Beethoven Walks’, an elegiac war cry from a man who wades in and out of darkness like a modern day Odysseus, and the churning resilience that sets him free.
“Wakefulness is poet Lara Bozabalian’s traveling companion in her new collection, Tourist. Her lines are long with an inviting tendency to wander. Her similes are startling, her descriptions dressed to kill.”—Barry Dempster, author of The Burning Alphabet and Disturbing the Buddha
“With its lush imagery and eye for resonant detail, its rhythm born from Lara’s rich history in spoken word and performance, Tourist will more than satisfy your literary wanderlust.”—Carolyn Smart, author of Hooked and Careen
“Bozabalian’s travels, both geographical and imaginative, make for compelling reading. A refreshingly assured and original book.”—Alexandra Oliver, author of Meeting the Tormentors in Safeway and Let the Empire Down
“Lara Bozabalian is a poet with a deft understanding of emotional and physical distance. Wherever she places her readers in time or place, she is reliably available as an earnest, expansive guide. Tourist is full of curious, public-hearted poems.”—Jacob McArthur Mooney, author of Folk and Don’t Be Interesting
“Channelling Escher the artist/architect and his intricate alleyway… expresses hidden emotions… by means of a kaleidoscope.” Anne Burke, poets.ca
Lara Bozabalian is an award-winning writer, and author of the bestselling collection of poetry, The Cartographer’s Skin. In both 2014 and 2015, Lara was named Toronto’s Best Poet in the Now Magazine Best of Toronto Poll. She has featured at TEDxIB and lectured, workshopped, and performed her work at several Canadian universities.
Michael Fraser is a Toronto high school teacher, poet, and writer. He has been published in various national and international journals and anthologies, including The Best Canadian Poetry in English, 2013. His manuscript, The Serenity of Stone, won the 2007 Canadian Aid Literary Award Contest and was published in 2008 by Bookland Press. He won the 2016 CBC Poetry Prize and was also the winner of FreeFall‘s 2014 and 2015 poetry contests, Michael is the creator and former director of the Plasticine Poetry Series.
Tightrope Books and Ronsdale Press present a special evening of poetry and fiction readings with Bruce Meyer (The Arrow of Time & A Chronicle of Magpies, Janette Platana (A Token of my Affliction), Elizabeth Ukrainetz (The Theory of Light at Midnight) and Ken Murray (Eulogy).
Wednesday, September 2, 6pm, Ben McNally Books, 366 Bay St, Toronto.
PRICE: $20.95—special sale price save $4!
How do we find our way back through the labyrinth, through the dark forest? With a thread, with a trail of breadcrumbs? Glen Downie traces a path back to the now dimly remembered pre-digital age using a ribbon—a typewriter ribbon. What was once a fishing line to the future now sits nestled in its decorated tin among other flea market finds, a remnant of an obsolete technology. In Democratic Beauties, a book of poetic and imaginative criticism with colour images, Downie sifts through the detritus of our rapidly changing consumer culture and decodes, for its surprisingly contemporary relevance, much that has already become perplexing and mysterious. In an uncommon blend of the lyric, the narrative and the visual, Downie invites consideration of what old tins, labels, and bits of found text tell us about women in the workforce, our relationship to technology, the values of Business Mind, and that which utility cannot long ignore—beauty.
Praise for Glen Downie’s previous work
LOCAL NEWS (2011): Jangling with surreal vibrancy and suffused with a sinister edginess, many of these poems have a sting in the tail. … an insightful psychological intelligence runs through the book. … a fascinating collection—funny, dark, conflicted. —Miranda Pearson, Event
LEFT FOR RIGHT (2012): A “cabinet of mysteries” is … on display in Glen Downie’s Left for Right… Some of those mysteries are bizarre and surrealistic, while others are grounded in the familiar, seen in a fanciful light. … Downie’s lyric voice hits all the right notes in this accomplished, wide-ranging collection.—Barb Carey, Toronto Star
Glen Downie was born in Winnipeg, worked in cancer care for many years in Vancouver, and now lives in Toronto. In 1999, he served as Writer-in-Residence at Dalhousie University’s Medical Humanities Program. He has published several collections of poetry including Loyalty Management, which won the 2008 Toronto Book Award. His most recent books are Monkey Soap and Left for Right. glendownie.com
PRICE: $17.95—special sale price!
Jacob McArthur Mooney, this eighth edition of Canada’s vibrant yearly anthology features the fifty finest Canadian poems published during 2014. The Best Canadian Poetry series, which thrives under the stewardship of acclaimed series editor Molly Peacock and assistant editor Anita Lahey, ushers readers into the heart of the diverse Canadian poetry scene. A must-read for anyone with a stake or interest in contemporary Canadian literature.
“No matter what your tastes, there are some poems here you’ll really like… The wide range of writers, forms and themes represented here make it a great jumping-off point for readers who might be interested in Canadian poetry but are unsure about where to start.”—Emma Healey, Globe and Mail
“The Best Canadian Poetry series offers an annual glimpse of poetry published across Canada, complete with a diverse sampling of voices and experiences that may be appreciated beyond borders.”—Lori A. May, examiner.com
“Readers will find this edition replete with new and memorable verses that will welcome them into the wilds of poetry.”—Publishers Weekly
Jacob McArthur Mooney’s second collection, Folk (McClelland & Stewart, 2011), was nominated for the Trillium Book Award in Poetry and the Dylan Thomas Prize. Work from his forthcoming third collection (M&S, 2016) has been shortlisted for a National Magazine Award, won the Arc Magazine Poem of the Year and Prairie Fire Bliss Carman Awards, and been included in the 2012 and 2013 editions of Best Canadian Poetry in English. He lives with his wife and son in Toronto where he hosts and co-directs the Pivot Reading Series.
Anita Lahey is a poet, journalist, reviewer and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award. Anita is a former editor of Arc Poetry Magazine, and posts occasionally on her blog, Henrietta & Me: People and other wonders found in books.
Molly Peacock is a widely anthologized poet who writes biography, memoir, and fiction. Her newest work is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka. She is also the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72. Her latest book of poetry is The Second Blush (all from McClelland and Stewart). Her poetry is the subject of Jason Guriel’s monograph, Molly Peacock: A Critical Introduction (Story Line Press, 2014).
Beginning with an epigraph by Robert Graves, which asserts that “woman is muse or she is nothing,” the poems in Muse explore the concepts of influence, creativity, and gender by evoking the tragic figure of Elizabeth Siddal. As a model, then pupil, she married the Pre-Raphaelite artist Dante Gabriel Rossetti, and although an artist and poet in her own right, Siddal is best known as a Victorian muse and the inspiration for her husband’s paintings. In sensual and evocative language, Dawn Marie Kresan shifts voices and perspectives, from Siddal’s loss and heartbreak over her stillborn daughter to the poet’s lighthearted reproach of artist William Holman Hunt’s depiction of the Lady of Shalott.
“This is tremendously moving poetry, and Muse is an impressive debut.”–Angie Abdou, author of The Bone Cage
“I adored this inventive collection of poems, with its shifting perspectives and use of multiple voices. I urge you to snap up a copy”—Stephanie Pina, preraphaelitesisterhood.com
“A powerful poetry collection in which inspiration takes center stage as the narrator examines the relationship between the muse and an artist.”—Serena Agusto-Cox, savvyverseandwit.com
“Amusing as it is intelligent”—Michael Dennis, michaeldennispoet.blogspot.ca
“Explores a variety of themes around the concept of being female… written with great skill and sensitivity, exposing the plight of the female in a world run by men.”—Rachel Carney, createdtoread.com
Price: $15.95—special sale price!
The Kingdom and After charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. Sometimes written in frank, shrunken lines and other times exploding with surrealist, jurassic imagery, the poems witness an associative mind leaping from bone temples in Tanga to the pumiced surface of extraterrestrial oceans, from a panic attack in Mumbai to the tumbling spirits of the Big Sur coastline.
“‘Am I accountable for these histories?’ writes Megan Fernandes in her memorable poem ‘Archives.’ Yes and no—her fresh, embracing imagination attends to several continents, many languages and cultures, with the originality of one who looks at a piano from below, seeing the ‘woody spirit of the instrument,’ its cavern and brackets, attentive to the sound of ‘the chimptas, fire gongs with bells’ and ‘the swampy Goa.’ (‘The Piano and the Ivy.’ ) A book of pleasures, wild inventions and profound clarity.”—Robert Pinsky, Poet Laureate of the United States (1997-2000)
“In these limpid poems, Megan Fernandes finds her way back to roots and origins, even as she charts our many topographical, dreamed, amatory, and atomic detours. ‘Touch everything,’ she entreats, ‘Tell me about the broken terrain.’ It is the poem’s job to graph and weave from here to there and back again, and this she does, returning with much-needed news of our follies and fortunes.”—Eleni Sikelianos, author of Body Clock and The California Poem
“The Kingdom and After greets us with a mysterious and worldly look inside Fernandes’ personal timeline… Her characters are sentimental, melancholic at times, and ask us to slow down, to absorb into shades of yellow and green, and to befriend unsolicited ghosts. It is impossible for us, as readers, to dismiss the power behind Megan Fernandes’ stories.”—Alyse Richmond, Coal Hill Review
“The poems are surely thought provoking as they render a patchwork of time, space, histories, psychology, communities and intimacy… you’ll certainly want the poems to sit by you for long.”—Linda Ashok, The Rumpus
“Fernandes creates moments of bliss… She’s taken time to imagine new ways of navigating broken and layered terrains, and I would highly recommend it.”—Naomi B, Broken Pencil
“Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricate placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.”—Nav Nagra, Room
Megan Fernandes is the poetry editor of the anthology Strangers in Paris and the author of two chapbooks of poetry: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming with Black Lawrence Press, the Boston Review, Rattle, Guernica, Memorious, and Redivider, among others. She earned her PhD in English from the University of California, Santa Barbara, and her MFA in poetry from Boston University. Currently, she teaches at Lafayette College.
“The Investigative Poet” with Anita Lahey
You are invited to join Tightrope Books over two Sunday afternoons in March (22nd and 29th) at our cozy office in downtown Toronto for a spirited, in-depth investigation into the nature of poetic inquiry, through a combination of lecture, master class and panel discussion.
What do poets have in common with journalists, academics, scientists and even detectives? They may employ different methods. They may be driven by different motivations. But poets are researchers. Poets are reporters.
Poetry, no matter its form, is driven by a sense of honest inquiry—often urgent inquiry. Aside from such well-known ingredients as observation, contemplation, rhythm, mastery of language, powerful feeling, voice and a way with metaphor, poems are built on facts. But how do the fruits of a poet’s investigations, be they public or personal or both, transform into art? And why strive for this elusive alchemy?
Anita Lahey, BCP assistant series editor, will lead the sessions, and will be joined by BCP poets Rob Winger and Kim Trainor for the second Sunday’s panel discussion. (Kim will be joining us via Skype from Vancouver!) Other BCP poets from across the country are already weighing in on the topic: their ideas will be braided into our discussions.
Together we’ll dig for new perspectives on the making of poetry and its role in posing questions relevant and essential to society and humanity.
Cost for both session: $75
Lecture and Master Class
Sunday, March 22, 1-4 p.m.
Panel Discussion and Seminar
(with Rob Winger and Kim Trainor)
Sunday, March 29, 1-4 p.m.
Location: Where: Tightrope Books, 207-2 College Street, Toronto, 416-928-6666.
Sign up early—space in the room is limited! Click on “Add to Cart” to pay securely by PayPal. You do not need a PayPal account to do so. Should you wish to make alternate payment arrangements, please contact firstname.lastname@example.org
PRICE: $16.95—special sale price!
Winner of the 2016 Fred Cogswell Award for Excellence in Poetry!
When a Christmas Eve shooting devastated Emily Pohl-Weary’s community, she began to hunt through the numbness and grief for some understanding and hopefulness about the future. In the tradition of Carolyn Forché, Ernesto Cardenal, and Shu Ting, Ghost Sick is a poetry of witness. It chronicles the impact of violence on an inner-city Toronto neighbourhood, the power of empathy, and the resilience of the human spirit.
“A hard, sad, and beautifully necessary collection of poems. A book that helps us claw our way back from the edges of our own teetering lives.”—Susan Musgrave, author of A Man to Marry, A Man to Bury
“Ghost Sick focuses on violence and its personal cost in a Toronto neighbourhood, starting from the writer’s childhood to the present, the wasted lives, the pain and loss of her own and those of people dear to her.”—Marge Piercy, New York Times bestselling author of Gone to Soldiers
“These are not easy poems to forget, so take a deep breath, and plunge right in. The world will not look the same when you re-emerge, but the rewards are immense: you come away from these poems open to possibility, hopeful for change, and knowing you are not alone in that struggle.”—Carolyn Smart, author of Hooked
“Pohl-Weary’s gritty vernacular got game, got street cred. Like Holocaust witness poet Paul Celan, Pohl-Weary checks tabloids, billboards, newsflashes, for the language to bespeak domesticated violence.”—George Elliot Clarke, Halifax Chronicle-Herald
“The poems in Ghost Sick coalesce into a very strong, coherent collection that should be read from cover to cover . . . this is a book that looks forward towards a better city, better citizens, and a better society.” —Andrew Woodrow-Butcher, Broken Pencil
“Ghost Sick takes your breath away and leaves you wanting more. A great read that makes you think about what it means to bear witness to tragedy.”—Christine Smith (McFarlane), Shameless Magazine
“A nuanced, wrenching and ultimately heart-opening poetry collection that took eight years to write—nearly a decade of trying to grapple with the shooting death of a young man in her Parkdale neighbourhood.” —Yukon News
“Ghost Sick by Emily Pohl-Weary is a collection of poems that witness. They are testimony, commentary, and emotional responses to the crime, drugs, loss of innocence and more in a Toronto neighborhood and other places where lives are wasted and lost too easily.”—Serena Agusto-Cox, Savvy Verse and Wit
Emily Pohl-Weary is an award-winning author, editor, arts educator, and academic. She is the author of several books, including the novels A Girl Like Sugar and Strange Times at Western High; the young adult novel Not Your Ordinary Wolf Girl; the poetry collection Iron-on Constellations; and the biography Better to Have Loved: The Life of Judith Merril, which won a Hugo Award for Best Related Book.
Readings by a plethora of poets: Emily Pohl-Weary, Lillian Allen, Irfan Ali, Chris Chambers, Dante King, Carolyn Smart, dianah smith.
Tuesday, February 10, 7pm,
The Tenant of Parkdale
1267 Queen St. West, Toronto
PRICE: $17.95 – special sale price!
Continuing in a long-established tradition of poetry excellence, the fifty poems in this seventh annual collection are culled from Canadian literary magazines and journals. Sonnet L’Abbe’s handpicked selections include the best, and most current, representations of the vibrant Canadian poetry scene. This distinguished volume includes poets John Barton, Marilyn Bowering, Nicole Brossard, Jan Conn, George Elliott Clarke, Jason Guriel, Sue Goyette, Don McKay, Susan Musgrave, Michael Ondaatje, Carmine Starnino, Karen Solie and many more.
“No matter what your tastes, there are some poems here you’ll really like… L’Abbé has done impressive work. ”—The Globe and Mail
“The Best Canadian Poetry represents notable poems published in years past, but it also reminds us of all the goings-on in literary culture across a nation”—Lori A. May, Poets Quarterly
Guest editor Sonnet L’Abbé, Ph.D. is the author of two collections of poetry, A Strange Relief and Killarnoe, both published by McClelland and Stewart. She was the 2017StartsNow! Artist-in-Motion in 2013. She is now at work on Sentient Mental Flower Book and Sonnet’s Shakespeare, her third and fourth collections of poems, and on a book about the plant-mind metaphors in the work of American poet Ronald Johnson. L’Abbé has reviewed fiction and poetry for the Globe and Mail, and has taught writing at the University of Toronto School of Continuing Studies and at the University of British Columbia. She will be the 2015 Edna Staebler Writer-In-Residence at Wilfrid Laurier University.
Assistant series editor Anita Lahey is a poet, journalist, reviewer and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award. Anita is a former editor of Arc Poetry Magazine.
Series editor Molly Peacock is a widely anthologized poet who writes biography, memoir and fiction. Her newest work is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka. She is also the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72. Her latest book of poetry is The Second Blush (all from McClelland and Stewart). Her poetry is the subject of Jason Guriel’s recent monograph Molly Peacock: A Critical Introduction (Story Line, 2014).
Join Tightrope books and series editors Molly Peacock & Anita Lahey and 2014 guest editor Sonnet L’Abbe in celebrating the Toronto launch of The Best Canadian Poetry in English, 2014 – the 7th edition of this distinguished annual anthology. The event features readings by several of the 2014 edition’s contributors, including George Elliott Clarke, Jan Conn, Stevie Howell, Aaron Kreuter, Kateri Lanthier, Pearl Pirie, Moez Surani, Nick Thran, Zoe Whittall, plus Ruth Marshall reading for Isabel Huggan.
Monday, November 24, 7pm, Joy Bistro, 884 Queen St East, Toronto.
Date & location: Monday, October 27, 7pm, Capilano branch of the North Vancouver district library, 3045 Highland Blvd., North Vancouver, BC.
“Fearless and bold, Crystal Hurdle’s witty, multivocal novel in verse reads like a cross between Judy Blume and Into the Wild, with a dash of Gilbert and Sullivan thrown in. Teen readers will find here a forthright examination of issues of power and responsibility not usually included on the high school curriculum.”—Cathy Stonehouse, author of Grace Shiver
Crystal Hurdle teaches English and creative writing at Capilano University in North Vancouver. She is the author of the poetry collection After Ted & Sylvia and her poetry and prose has been published in many journals, including Bogg, Canadian Literature, the Dalhousie Review, Event, Fireweed, and the Literary Review of Canada.
The event takes place on Tuesday, October 21, 7pm at Handlebar, 159 Augusta in Kensington Market.
Roxanna Bennett was born in Toronto but spent much of her childhood in Corner Brook, Newfoundland. She is a writer and artist educator whose poems and essays have been published in anthologies and literary journals in Canada, the United States and the United Kingdom.
Canadian-Spanish author Rosario Lloret was born in Madrid, Spain. She moved to Canada in 2003 and lived in the Northwest Territories for six years. She currently resides in Hudson’s Hope, BC, with her husband and three daughters.
Price: $15.95—special sale price!
Roxanna Bennett’s debut collection of precisely crafted poems examines connection and consequence. The poems in The Uncertainty Principle reveal the aftermath of events both at an atomic and human scale, from the domestic intimacy of a dysfunctional family to the wreckage of an atom bomb.
PRICE: $15.95 – special sale price!
Divided into “exhibitions” corresponding roughly to various rooms in the Leonardo da Vinci Museum in Milan, this stunning poetry collection explores the legacy of da Vinci’s inventive imagination in various areas, such as war, medicine, sound, and aviation. The poems reflect how the 20th century was shaped by da Vinci’s work and theories, which are still being explored today.
“Jeffrey Round asks a big question: ‘What does infinity know?’ In a poetry collection with da Vinci at its core, themes of invention dovetail with themes of memory and loss.”—Jim Nason, author of Narcissus Unfolding
“There is food for thought throughout this collection.”—Amos Lassen, reviewsbyamoslassen.com
“Poetry requires a light touch, of knowing what to leave out, what not to over-explain. Jeffrey’s poems are easy to read, but not simple… a classy book of poetry.”—Paul Bellini, mygaytoronto.com
Jeffrey Round is an award-winning writer, director, and playwright. He is the author of A Cage of Bones, The Honey Locust, The P-town Murders and the Lambda Award-winning Lake on the Mountain. He founded a multimedia theater company, Best Boys Productions, and his full-length stage play, Zebra, won the Gay and Lesbian Appeal’s “Right to Privacy Award” and was nominated for a Pink Trillium for Best Play. He founded the Church-Wellesley Review, Canada’s first print journal for LGBT creative writing. He lives in Toronto.
PRICE: $14.95—special sale price
Teetering on the brink of longing and the downtrodden, Julie Cameron Gray’s poetic debut explores isolation and the distance between human understanding and human experience. Her poems showcase the relationship between people and their work, urban living and the fringe existence of “wild” animals, the flaws that relationships tend to encompass despite best intentions, and the mysteries inanimate objects hold. Tangle is a verdict, a web of dysfunction, and an alibi.
“Julie Cameron Gray has achieved something crucial, but too rare, in today’s world of rapid change: how to be true to a sense of the new through an energizing sense of continuity with the imaginative richness of the past. . . . If we value zestful continuity as part of an allegiance to exploration and change, Julie Cameron Gray is a poet to watch.” —Roger Nash, author, Something Blue and Flying Upward
“This is a compact collection of distilled, mature poetry.”—Anne Burke, League of Canadian Poets
“All in all, a delightful read”—goodreads.com
Julie Cameron Gray is the author of the chapbook Coordinating Geometry, and her poetry has appeared in Carousel, Contemporary Verse 2, Event, Fiddlehead, and PRISM International as well as the anthology Best Canadian Poetry in English 2011.