A Moose in the Dark—H.W. Browne

ISBN: 9781988040233

PRICE: $21.95

H.W. Browne’s debut short fiction collection, A Moose in the Dark, questions our ways of knowing. In a world where cathedrals, churches, and temples no longer bind communities, hers is a search for connectivity. Whether a moose prepares the way for old friends desperate to communicate, or a skull saves a child from drowning, Browne’s stories risk the intervention of the uncanny, and immersion in the elements.

“Heather Browne had been known to me as an award-winning poet, and more recently a much anthologized short fiction writer. She has a unique style, meticulously rendering each word for the strongest narrative while maintaining a parallel under voice. Her imagery is priceless. A Moose in the Dark is tight, deep, yet sexy; a pleasure to read, savour, and reread.”—Wayne Curtis, author of In the Country

“Aflame with characters in pursuit of connection and salvation, this fine debut collection is saturated with language that is, like all the best truth-telling, both a conflagration and an inundation: seductive, slippery, and sometimes a little shifty-eyed.”—Diane Schoemperlen, author of This Is Not My Life

“A Moose in the Dark explores the complex loyalties of husbands and wives, lovers, brothers and sisters, sons and daughters. Browne offers a glimpse of the lives of ordinary people—a trucker, a shoe saleswoman, a school bus driver – illuminated briefly in the headlights, moments of disappointment, reconciliation and resignation. She writes those moments as they deserve to be written, in language rich with poetry and lightened by wit.” Kelly Cooper, author of Eyehill

“If you have a house, then there is always something to do—especially when the hours are stretching out in front of you like a long centre line on a dark night on a lonesome highway. In that time, civil dusk, that time just before it all goes black as pitch, you can make a homemade moose call and see what comes. Just as those were Heather Browne’s words, that moose call is exactly what she’s made, and so who comes to it? All those peculiar half-forgotten relatives who are just as human as we are—the quick and the dead, the old folks and the children, the long gone and now. Can Heather’s house stand up to all these visitors? If you run your hands over the wood, you will feel how well constructed it is, how she’s built it solid and sanded every beam. We don’t know if a moose will come or not, but we will. We can all live in Heather Browne’s house because that’s where we are already.”—Keith Maillard, author of Difficulty at the Beginning

“Communication, or the lack of it, is the theme of A Moose in the Dark, Heather Browne’s
debut collection of short stories, in which her characters strive to connect with one another and with the larger world, but for one reason or another do not… glimpses into the tragedies that lurk behind.”—Wayne Grady, Kingston Whig-Standard

“Contains stories that will—more frequently than not—leave you asking questions… which is a good indicator of the author’s short story writing skills. If you like the literary short story genre, then you will enjoy A Moose in the Dark.—Mirimachi Reader

H.W. Browne writes poetry and short fiction and received her Master of Fine Arts degree from the University of British Columbia. She has published several books of poetry, and her story, “Beach Glass,” was recognized as a notable short story by the judges for the 2014 Peter Hinchcliffe Fiction Award. A native New Brunswicker, she now lives in Ontario and continues mentoring creative writers, and of course, learning from the water.

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The Best Canadian Poetry 2008

The Best Canadian Poetry in English 2008
ISBN: 9780978335175
Pub Date: 2008

From a long list of one hundred poems drawn from Canadian literary journals magazines, this year’s guest editor, award winning poet Stephanie Bolster, has chosen fifty of the best Canadian poems published in 2007. With this anthology readers, baffled by proliferating poems and poets, can for the first time tap into the remarkable and vibrant Canadian poetry scene. Readers are invited to explore the currents and cross-currents of poetry in a distinguished volume distilled by a round robin of esteemed editorial taste.

Featuring work from Maleea Acker, James Arthur, Leanne Averbach, Margaret Avison, Ken Babstock, John Wall Barger, Brian Bartlett, John Barton, Yvonne Blomer, Tim Bowling, Heather Cadsby, Anne Compton, Kevin Connolly, Meira Cook, Dani Couture, Sadiqa de Meijer, Barry Dempster, Jeramy Dodds, Jeffery Donaldson, Susan Elmslie, Jason Guriel, Aurian Haller, Jason Heroux, Iain Higgins, Bill Howell, Helen Humphreys, Amanda Lamarche, Tim Lilburn, Michael Lista, Keith Maillard, Don McKay, AF Moritz, Jim Nason, Peter Norman, Alison Pick, E Alex Pierce, Craig Poile, Matt Rader, Michael Eden Reynolds, Shane Rhodes, Joy Russell, Heather Sellers, David Seymour, J Mark Smith, Adam Sol, Carmine Starnino, Anna Swanson, Todd Swift, JR Toriseva, and Leif E Vaage.

Click to read an excerpt from The Best Canadian Poetry in English 2008.

Molly Peacock is the author of five volumes of poetry, including Cornucopia: New & Selected Poems. She is the Poetry Editor of the Literary Review of Canada. Before she emigrated to Canada in1992, she was one of the creators of Poetry in Motion in New York City, and she served as an early advisor to Poetry On The Way. Her reviews and essays have appeared in the Globe and Mail, and her poems have appeared in The New Yorker, The Paris Review, and the TLS. She lives in Toronto.

Stephanie Bolster’s first book, White Stone: The Alice Poems, won the Governor General’s Award and the Gerald Lampert Award in 1998. She has also published Two Bowls of Milk, which won the Archibald Lampman Award and was shortlisted for the Trillium Award. Her work has appeared in literary journals internationally and has also garnered her the Bronwen Wallace Award, the Norma Epstein Award, and The Malahat Review’s Long Poem Prize. Her several chapbooks include, most recently, Biodme and Past the Roman Arena. Raised in Burnaby, B.C., she now lives in Montreal, where she teaches in the creative writing programme at Concordia University.

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