Excerpt from GULCH, “Poemagogy”

Poemagogy ::::: Adebe D.A.

Traffic sweat drips
flashing whiz children with red lips
neon age, yellow hallways
no decor
just wind: the age of reason.

I tried to reason with a lamppost
whatcha burning for? so many dead stars
like you dizzying up the streets, hardly any room
unlike a galaxy

but it wasn’t really a lamppost
and I wasn’t reasoning;

it was the simple act of pressing
palm to palm to
grape white saintliness,
the point at which a light
is formed and carries you forever

when it does not take off
with the wind
but remains like a question

the psychodynamic arc
of city life, trapping and liberation
Parlafilms:

where we speak as though
destroyed, where we only desire
to become something new.

Constant toil in the life of art!
the assemblage
slaveships deathtrains clubs
Eeenough
our reality (swallow)
too much, these bells
summon what enabled us to clash

first into the night
like palms
when we are strong
with the
not yet,
with the beauty of now

when we lift high
the banner of reason
to run across lines of flight,
of light, singing
how every life shall be a song
or certainly some sense of mattering

of being indivisible – that is the only desire
there is, to be enabled with passing
words that foam
like seas deep with dark

to reducible neither to the One
nor the multiple,
to become not you
or two, three four five
nor to add you to myself

for we have all
always been in motion:
our dimension is the same,
lovers are
just interlocutors in general,
radical disturbances

like subway trains, a kiss, a missed stop:
the shock of the encounter
when beauty exceeds
the limits of the rational

the unscripted sublimity
of the earth, this place
we inhabit on loan.

The dead poets keep telling me
anonymity is a lie, this city just another point
of departure

that desire is just sympathy, not filiation; that we are angels,
alloys, the wind

that our roots are rhizomes,
our lives creatio ex amore,
multiplicity is what has borne the city
is what has borne us, we are still being
birthed again, and up, and away.


For more information about GULCH or to purchase the book, please click here.

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GULCH | Ed. Sarah Beaudin, Karen C. Da Silva, & Curran Folkers

DOWN WITH ARBOREAL THOUGHT! // A Steel Bananas Project

GULCH, edited by Karen C. Da Silva, Curran Folkers & Sarah Beaudin
ISBN: 9781926639079

Pub Date: Fall 2009

“From its opening statement, ‘This Book Is a Rhizome,’ to Adebe D.A.’s ‘Poemagogy,’ to John Unrau’s ‘New Age Muskie Considers a Change of Lifestyle,’ Gulch privileges the rhetoric of (and itself exists as an example of) that ever-regenerative genre, the manifesto.”
— Andrew Dubois, University of Toronto Quarterly 80.2

“…the reliability of GULCH is the space it provides for new visions, new styles and new writers.”
Rabble Magazine

“Gulch plays with the idea of collaboration and does it well, with a buffet of new and exciting work from today’s up and coming talent.”
Broken Pencil Magazine

Inspired by the theories of Gilles Deleuze and Félix Guattari, GULCH: An Assemblage of Poetry and Prose is a rhizomatic exploration of the modern Canadian literary community.

Drawing on the postmodern themes of detachment and disjuncture, GULCH seeks to create an optimistic snapshot of the pluralities and complexities that constitute the post-pomo literary landscape. Focusing on the theme of fragmentation, Steel Bananas members Sarah Beaudin, Karen Correia Da Silva and Curran Folkers have collected pieces from community artists, Professors, lit students, burgeoning young talent as well as established writers in order to compile a collection that resists the notion of wholeness, privileging instead the multiplicity and diversity found in contemporary globalized culture. This assemblage of poetry and prose bares the innovation and cultural critique of post-millennium Canadian writers, and seeks to expose the beauty of discontinuity.

Featuring work from Adebe D.A., Stephen Cain, Ewan Whyte, Spencer Gordon, Chris Felling, Matthew Hall, Daniel Tysdal, Chris Eaton & Virtual Collaborators, Amanda Lee, JJ Steinfeld, Emma Healy, Wally Keeler, Jon Eskedjian, Vincent De Freitas, Craig Alexander, Heather Babcock, Richard Rosenbaum, Jerry Levy, Alex Consiglio, Sarah Beaudin, Ursula Pflug, Kathleen Brown, Matthew Moliterni, Darryl Salach, Shannon Robinson, Miles Henry, Shannon Webb Campbell, John Unrau, Nathaniel G Moore, Zack Kotzer, Firdaus Bilimoria, Jimmy McInnes, Steph Tracey, James Arthur, Melanie Janisse, Corrigan Hammond, N Dana Jerabek, Shannon Maguire, Ryan Tannenbaum, Karen Correia Da Silva, James Papoutsis, Christopher Olsen, Alyksandra Ackerman, Curran Folkers, James Hatch, John C Goodman, Andrew McEwan, John Nyman, Mark Reble, Jamie Ross, Devon Wong, N Alexander Armstrong.

Click to read an excerpt from GULCH.

Curran Folkers, Karen Correia Da Silva, and Sarah Beaudin of Steel Bananas

Steel Bananas is a not-for-profit art collective and culture zine. They publish a rag-bag of contemporary Canadian writers and art-bums on the 15th of each month, aiming to critically and playfully explore contemporary cultural theory and the varying facets of contemporary urban culture. They’re proud to augment all virtual content with print media or in-the-flesh art happenings around Toronto, and to support independent, alternative, and marginal art in Canada.

http://www.steelbananas.com

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