The Kingdom and After—Megan Fernandes

ISBN: 9781926639802

Price: $15.95—special sale price!




The Kingdom and After charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. Sometimes written in frank, shrunken lines and other times exploding with surrealist, jurassic imagery, the poems witness an associative mind leaping from bone temples in Tanga to the pumiced surface of extraterrestrial oceans, from a panic attack in Mumbai to the tumbling spirits of the Big Sur coastline.

“‘Am I accountable for these histories?’ writes Megan Fernandes in her memorable poem ‘Archives.’ Yes and no—her fresh, embracing imagination attends to several continents, many languages and cultures, with the originality of one who looks at a piano from below, seeing the ‘woody spirit of the instrument,’ its cavern and brackets, attentive to the sound of ‘the chimptas, fire gongs with bells’ and ‘the swampy Goa.’ (‘The Piano and the Ivy.’ ) A book of pleasures, wild inventions and profound clarity.”—Robert Pinsky, Poet Laureate of the United States (1997-2000)

“In these limpid poems, Megan Fernandes finds her way back to roots and origins, even as she charts our many topographical, dreamed, amatory, and atomic detours. ‘Touch everything,’ she entreats, ‘Tell me about the broken terrain.’ It is the poem’s job to graph and weave from here to there and back again, and this she does, returning with much-needed news of our follies and fortunes.”—Eleni Sikelianos, author of Body Clock and The California Poem

“The Kingdom and After greets us with a mysterious and worldly look inside Fernandes’ personal timeline… Her characters are sentimental, melancholic at times, and ask us to slow down, to absorb into shades of yellow and green, and to befriend unsolicited ghosts. It is impossible for us, as readers, to dismiss the power behind Megan Fernandes’ stories.”—Alyse Richmond, Coal Hill Review

“The poems are surely thought provoking as they render a patchwork of time, space, histories, psychology, communities and intimacy… you’ll certainly want the poems to sit by you for long.”—Linda Ashok, The Rumpus

“Fernandes creates moments of bliss… She’s taken time to imagine new ways of navigating broken and layered terrains, and I would highly recommend it.”—Naomi B, Broken Pencil

“Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricate placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.”—Nav Nagra, Room

Megan Fernandes photoMegan Fernandes is the poetry editor of the anthology Strangers in Paris and the author of two chapbooks of poetry: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming with Black Lawrence Press, the Boston Review, Rattle, Guernica, Memorious, and Redivider, among others. She earned her PhD in English from the University of California, Santa Barbara, and her MFA in poetry from Boston University. Currently, she teaches at Lafayette College.

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Strangers in Paris: New Writing Inspired by the City of Light


ISBN: 9781926639321
Price: $14.95 – special sale price!
Pub Date: May 2011




An anthology of poetry and fiction with the city of Paris as its unifying thread.

The stunning variety of writing in this volume addresses the city of Paris in all its complexity, while challenging the mythology of expatriate Parisian literature. The anthology contains entries as diverse and disparate as an excerpt from John Berger’s novel, Here is Where We Meet; Suzanne Allen’s ekphrastic poetry, a tongue-in-cheek take on the nineteenth-century novel by Helen Cusack O’Keeffe; Canadian writer Lisa Pasold’s story of a forced extended stay in Paris; and an interview with the celebrated American poet Alice Notley.

Strangers in Paris presents anglophone Parisian writing as it is today, without the veneer and expectations of stereotypes, romantic notions, or iconic representations. More than anything, this anthology is a landmark, a notice that begs and entices readers to explore the current English-language authorship developing in and about Paris.

“While the anthology features big names such as Alice Notley and John Berger, it is in the less well-known names that we find the most refreshing takes on the city [of Paris]… this anthology is also a celebration of difference, of the clash between cultures, of the creativity that stems from being in an unknown environment.”—Sabotage Reviews

“A wonderful anthology of poetry and prose…  It brought me right back to rain-drenched streets, warm cafes and interesting strangers. I definitely recommend to anyone who loves all things Paris!”—goodreads.com

Featuring work from Suzanne Allen, Mia Bailey, David Barnes, Barbara Beck, Edward Belleville, John Berger, Judith Chriqui, Marie Davis, Sion Dayson, David Eso, Megan Fernandes, Jorie Graham, Jeffrey Greene, Jonathan Hamrick, Isabel Harding, Marty Hiatt, Margaret J. Hults, Andrea Jonsson, Julie Kleinman, Antonia Alexandra Klimenko, Sam Langer, Colin Joseph Wolfgang Mahar, Alexander Kolya Maksik, Jessica Malcomson, Danielle McShine, Alice Notley, Helen Cusack O’Keeffe, Lisa Pasold, Rufo Quintavalle, Alberto Rigettini, Sarah Riggs, Eleni Sikelianos, Kathleen Spivack, Cole Swensen, Elizabeth Willis, and Neil Uzzell.

Editor Biographies

David Barnes moved to Paris in 2003 with the idea of staying for six months. He is still there. He won Shakespeare and Company’s short story competition, Travel in Words, in 2006 and now runs a writing workshop there and a weekly open mic poetry night in Belleville called SpokenWord. His stories have been published by Spot Lit Magazine, Upstairs at Duroc, and 34th Parallel.

Megan Fernandes is a PhD student at the University of California, Santa Barbara. She is currently writing a dissertation on cognitive approaches to twentieth-century Irish and American literature. During her time in Paris, she has conducted research at the Center for Literature and Cognition at the Université Paris VIII and will be published in the upcoming issue of Upstairs at Duroc (2010). She has presented at conferences in the US, Ireland, and Poland and has an essay on Beckett to be published in the literary journal, Miranda (University Press of Toulouse). In 2015, Tightrope publisher her first full poetry collection, The KIngdom and After.

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