The witness, an Introduction
George Fetherling is what Robin Skelton used to call a “scribbler”: someone such as himself whose compulsive writing is faster than sound. Sound is a problem. Fetherling, the poet/novelist/artist/cultural journalist who has mastered the silent word, switching genres with a click of his many-coloured pen, was born with a speech handicap. He has, in the jargon of the differently abled, compensated, the way stutterers are known to sing or recite poetry fluently even though speech is difficult. In book after book of articulate prose and poetry, Fetherling (the last name is an anglicized spelling of an old Dutch word for scribe or scrivener) sings like a bird with a thorn in its chest. Like children born with learning disabilities who often develop prodigious oral and artistic skills, he proves the adaptability of human beings.