The Kingdom and After—Megan Fernandes

ISBN: 9781926639802

Price: $15.95—special sale price!




The Kingdom and After charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. Sometimes written in frank, shrunken lines and other times exploding with surrealist, jurassic imagery, the poems witness an associative mind leaping from bone temples in Tanga to the pumiced surface of extraterrestrial oceans, from a panic attack in Mumbai to the tumbling spirits of the Big Sur coastline.

“‘Am I accountable for these histories?’ writes Megan Fernandes in her memorable poem ‘Archives.’ Yes and no—her fresh, embracing imagination attends to several continents, many languages and cultures, with the originality of one who looks at a piano from below, seeing the ‘woody spirit of the instrument,’ its cavern and brackets, attentive to the sound of ‘the chimptas, fire gongs with bells’ and ‘the swampy Goa.’ (‘The Piano and the Ivy.’ ) A book of pleasures, wild inventions and profound clarity.”—Robert Pinsky, Poet Laureate of the United States (1997-2000)

“In these limpid poems, Megan Fernandes finds her way back to roots and origins, even as she charts our many topographical, dreamed, amatory, and atomic detours. ‘Touch everything,’ she entreats, ‘Tell me about the broken terrain.’ It is the poem’s job to graph and weave from here to there and back again, and this she does, returning with much-needed news of our follies and fortunes.”—Eleni Sikelianos, author of Body Clock and The California Poem

“The Kingdom and After greets us with a mysterious and worldly look inside Fernandes’ personal timeline… Her characters are sentimental, melancholic at times, and ask us to slow down, to absorb into shades of yellow and green, and to befriend unsolicited ghosts. It is impossible for us, as readers, to dismiss the power behind Megan Fernandes’ stories.”—Alyse Richmond, Coal Hill Review

“The poems are surely thought provoking as they render a patchwork of time, space, histories, psychology, communities and intimacy… you’ll certainly want the poems to sit by you for long.”—Linda Ashok, The Rumpus

“Fernandes creates moments of bliss… She’s taken time to imagine new ways of navigating broken and layered terrains, and I would highly recommend it.”—Naomi B, Broken Pencil

“Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricate placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.”—Nav Nagra, Room

Megan Fernandes photoMegan Fernandes is the poetry editor of the anthology Strangers in Paris and the author of two chapbooks of poetry: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming with Black Lawrence Press, the Boston Review, Rattle, Guernica, Memorious, and Redivider, among others. She earned her PhD in English from the University of California, Santa Barbara, and her MFA in poetry from Boston University. Currently, she teaches at Lafayette College.

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Ghost Sick—Emily Pohl-Weary

ISBN: 9781926639826

PRICE: $16.95—special sale price!

Winner of the 2016 Fred Cogswell Award for Excellence in Poetry!




When a Christmas Eve shooting devastated Emily Pohl-Weary’s community, she began to hunt through the numbness and grief for some understanding and hopefulness about the future. In the tradition of Carolyn Forché, Ernesto Cardenal, and Shu Ting, Ghost Sick is a poetry of witness. It chronicles the impact of violence on an inner-city Toronto neighbourhood, the power of empathy, and the resilience of the human spirit.

“A hard, sad, and beautifully necessary collection of poems. A book that helps us claw our way back from the edges of our own teetering lives.”—Susan Musgrave, author of A Man to Marry, A Man to Bury

“Ghost Sick focuses on violence and its personal cost in a Toronto neighbourhood, starting from the writer’s childhood to the present, the wasted lives, the pain and loss of her own and those of people dear to her.”—Marge Piercy, New York Times bestselling author of Gone to Soldiers

“These are not easy poems to forget, so take a deep breath, and plunge right in. The world will not look the same when you re-emerge, but the rewards are immense: you come away from these poems open to possibility, hopeful for change, and knowing you are not alone in that struggle.”—Carolyn Smart, author of Hooked

“Pohl-Weary’s gritty vernacular got game, got street cred. Like Holocaust witness poet Paul Celan, Pohl-Weary checks tabloids, billboards, newsflashes, for the language to bespeak domesticated violence.”—George Elliot Clarke, Halifax Chronicle-Herald

“The poems in Ghost Sick coalesce into a very strong, coherent collection that should be read from cover to cover . . . this is a book that looks forward towards a better city, better citizens, and a better society.” —Andrew Woodrow-Butcher, Broken Pencil

“Ghost Sick takes your breath away and leaves you wanting more. A great read that makes you think about what it means to bear witness to tragedy.”—Christine Smith (McFarlane), Shameless Magazine

“A nuanced, wrenching and ultimately heart-opening poetry collection that took eight years to write—nearly a decade of trying to grapple with the shooting death of a young man in her Parkdale neighbourhood.” —Yukon News

Ghost Sick by Emily Pohl-Weary is a collection of poems that witness. They are testimony, commentary, and emotional responses to the crime, drugs, loss of innocence and more in a Toronto neighborhood and other places where lives are wasted and lost too easily.”—Serena Agusto-Cox, Savvy Verse and Wit

Emily Pohl-Weary is an award-winning author, editor, arts educator, and academic. She is the author of several books, including the emily-pohl-wearynovels A Girl Like Sugar and Strange Times at Western High; the young adult novel Not Your Ordinary Wolf Girl; the poetry collection Iron-on Constellations; and the biography Better to Have Loved: The Life of Judith Merril, which won a Hugo Award for Best Related Book.

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Best Canadian Essays 2014

ISBN: 9781926639840

PRICE: $15.95—special sale price!




Featuring a trusted series editor and a new guest editor, this sixth continuation of the annual assemblage of essays showcases diverse writing from across Canada. Culled from leading magazines on diverse topics such as art, film, literature, music, culture, politics and history, The Best Canadian Essays 2014 contains award-winning and nominated nonfiction articles that are topical and engaging and have their finger on the pulse of our contemporary psyches.

“Best Canadian Essays 2014 should find a place of honour in your travel bag, on the deck at your camp, by the reading window in your breakfast nook, at your bedside table.”—Michael Sobota, Chronicle-Journal.

“Who doesn’t like a buffet? How about one with quality selections and deep flavours? I’m a fan of anthologies and The Best Canadian Essays is a smorgasbord of topics and exceptional writing.”—June Chua, Rabble.ca

 “The individual contributions in Best Canadian Essays transcend simple reportage and reach the level of art. Each one has something distinctive and informative to say. Take heed.”—Jennifer Curtis, Quill & Quire

Christopher Doda is a critic, editor, and poet. He is the author of the collections of poetry Aesthetics Lesson and Among Ruins, and his poems and reviews have appeared in journals and magazines across Canada. He is the book review editor for the online journal Studio.                                              

Natalie Zina Walschots is a poet and a music journalist. Her first book of poetry, Thumbscrews, won the inaugural Robert Kroetsch Award for Innovative Poetry. Her poetry has appeared widely in literary magazines including Broken Pencil, Carousel, Matrix, Open Letter, and Rampike. She was formerly the managing editor of Filling Station and Dandelion magazines. She lives in Montreal.

 

 

Posted in B, Non-fiction, special holiday sale, spring 2015, Uncategorized, Winter 2015 | Tagged , , , , , , , , , , , , , , , , , , |