Democratic Beauties—Glen Downie

 

PrintISBN: 9781926639918

PRICE: $19.95—special sale price save $5!





How do we find our way back through the labyrinth, through the dark forest? With a thread, with a trail of breadcrumbs? Glen Downie traces a path back to the now dimly remembered pre-digital age using a ribbon—a typewriter ribbon. What was once a fishing line to the future now sits nestled in its decorated tin among other flea market finds, a remnant of an obsolete technology. In Democratic Beauties, a book of poetic and imaginative criticism with colour images, Downie sifts through the detritus of our rapidly changing consumer culture and decodes, for its surprisingly contemporary relevance, much that has already become perplexing and mysterious. In an uncommon blend of the lyric, the narrative and the visual, Downie invites consideration of what old tins, labels, and bits of found text tell us about women in the workforce, our relationship to technology, the values of Business Mind, and that which utility cannot long ignore—beauty.

Praise for Glen Downie’s Poetry

LOCAL NEWS (2011): Jangling with surreal vibrancy and suffused with a sinister edginess, many of these poems have a sting in the tail. … an insightful psychological intelligence runs through the book. … a fascinating collection—funny, dark, conflicted. —Miranda Pearson, Event

LEFT FOR RIGHT (2012): A “cabinet of mysteries” is … on display in Glen Downie’s Left for Right… Some of those mysteries are bizarre and surrealistic, while others are grounded in the familiar, seen in a fanciful light. … Downie’s lyric voice hits all the right notes in this accomplished, wide-ranging collection.—Barb Carey, Toronto Star

glen_downieGlen Downie was born in Winnipeg, worked in cancer care for many years in Vancouver, and now lives in Toronto. In 1999, he served as Writer-in-Residence at Dalhousie University’s Medical Humanities Program. He has published several collections of poetry including Loyalty Management, which won the 2008 Toronto Book Award. His most recent books are Monkey Soap and Left for Right. glendownie.com

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The Kingdom and After—Megan Fernandes

ISBN: 9781926639802

Price: $15.95—special sale price!




The Kingdom and After charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. Sometimes written in frank, shrunken lines and other times exploding with surrealist, jurassic imagery, the poems witness an associative mind leaping from bone temples in Tanga to the pumiced surface of extraterrestrial oceans, from a panic attack in Mumbai to the tumbling spirits of the Big Sur coastline.

“‘Am I accountable for these histories?’ writes Megan Fernandes in her memorable poem ‘Archives.’ Yes and no—her fresh, embracing imagination attends to several continents, many languages and cultures, with the originality of one who looks at a piano from below, seeing the ‘woody spirit of the instrument,’ its cavern and brackets, attentive to the sound of ‘the chimptas, fire gongs with bells’ and ‘the swampy Goa.’ (‘The Piano and the Ivy.’ ) A book of pleasures, wild inventions and profound clarity.”—Robert Pinsky, Poet Laureate of the United States (1997-2000)

“In these limpid poems, Megan Fernandes finds her way back to roots and origins, even as she charts our many topographical, dreamed, amatory, and atomic detours. ‘Touch everything,’ she entreats, ‘Tell me about the broken terrain.’ It is the poem’s job to graph and weave from here to there and back again, and this she does, returning with much-needed news of our follies and fortunes.”—Eleni Sikelianos, author of Body Clock and The California Poem

“The Kingdom and After greets us with a mysterious and worldly look inside Fernandes’ personal timeline… Her characters are sentimental, melancholic at times, and ask us to slow down, to absorb into shades of yellow and green, and to befriend unsolicited ghosts. It is impossible for us, as readers, to dismiss the power behind Megan Fernandes’ stories.”—Alyse Richmond, Coal Hill Review

“The poems are surely thought provoking as they render a patchwork of time, space, histories, psychology, communities and intimacy… you’ll certainly want the poems to sit by you for long.”—Linda Ashok, The Rumpus

“Fernandes creates moments of bliss… She’s taken time to imagine new ways of navigating broken and layered terrains, and I would highly recommend it.”—Naomi B, Broken Pencil

“Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricate placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.”—Nav Nagra, Room

Megan Fernandes photoMegan Fernandes is the poetry editor of the anthology Strangers in Paris and the author of two chapbooks of poetry: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming with Black Lawrence Press, the Boston Review, Rattle, Guernica, Memorious, and Redivider, among others. She earned her PhD in English from the University of California, Santa Barbara, and her MFA in poetry from Boston University. Currently, she teaches at Lafayette College.

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Ghost Sick—Emily Pohl-Weary

ISBN: 9781926639826

PRICE: $14.95—special sale price!

Winner of the 2016 Fred Cogswell Award for Excellence in Poetry!





When a Christmas Eve shooting devastated Emily Pohl-Weary’s community, she began to hunt through the numbness and grief for some understanding and hopefulness about the future. In the tradition of Carolyn Forché, Ernesto Cardenal, and Shu Ting, Ghost Sick is a poetry of witness. It chronicles the impact of violence on an inner-city Toronto neighbourhood, the power of empathy, and the resilience of the human spirit.

“A hard, sad, and beautifully necessary collection of poems. A book that helps us claw our way back from the edges of our own teetering lives.”—Susan Musgrave, author of A Man to Marry, A Man to Bury

“Ghost Sick focuses on violence and its personal cost in a Toronto neighbourhood, starting from the writer’s childhood to the present, the wasted lives, the pain and loss of her own and those of people dear to her.”—Marge Piercy, New York Times bestselling author of Gone to Soldiers

“These are not easy poems to forget, so take a deep breath, and plunge right in. The world will not look the same when you re-emerge, but the rewards are immense: you come away from these poems open to possibility, hopeful for change, and knowing you are not alone in that struggle.”—Carolyn Smart, author of Hooked

“Pohl-Weary’s gritty vernacular got game, got street cred. Like Holocaust witness poet Paul Celan, Pohl-Weary checks tabloids, billboards, newsflashes, for the language to bespeak domesticated violence.”—George Elliot Clarke, Halifax Chronicle-Herald

“The poems in Ghost Sick coalesce into a very strong, coherent collection that should be read from cover to cover . . . this is a book that looks forward towards a better city, better citizens, and a better society.” —Andrew Woodrow-Butcher, Broken Pencil

“Ghost Sick takes your breath away and leaves you wanting more. A great read that makes you think about what it means to bear witness to tragedy.”—Christine Smith (McFarlane), Shameless Magazine

“A nuanced, wrenching and ultimately heart-opening poetry collection that took eight years to write—nearly a decade of trying to grapple with the shooting death of a young man in her Parkdale neighbourhood.” —Yukon News

Ghost Sick by Emily Pohl-Weary is a collection of poems that witness. They are testimony, commentary, and emotional responses to the crime, drugs, loss of innocence and more in a Toronto neighborhood and other places where lives are wasted and lost too easily.”—Serena Agusto-Cox, Savvy Verse and Wit

Emily Pohl-Weary is an award-winning author, editor, arts educator, and academic. She is the author of several books, including the emily-pohl-wearynovels A Girl Like Sugar and Strange Times at Western High; the young adult novel Not Your Ordinary Wolf Girl; the poetry collection Iron-on Constellations; and the biography Better to Have Loved: The Life of Judith Merril, which won a Hugo Award for Best Related Book.

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In the Museum of Leonardo da Vinci-Jeffrey Round

Da Vinci CoverISBN: 9781926639789
PRICE: $12.95 – special sale price!
Shortlisted for the 2015 ReLit Award!




Divided into “exhibitions” corresponding roughly to various rooms in the Leonardo da Vinci Museum in Milan, this stunning poetry collection explores the legacy of da Vinci’s inventive imagination in various areas, such as war, medicine, sound, and aviation. The poems reflect how the 20th century was shaped by da Vinci’s work and theories, which are still being explored today.

“Jeffrey Round asks a big question: ‘What does infinity know?’ In a poetry collection with da Vinci at its core, themes of invention dovetail with themes of memory and loss.”—Jim Nason, author of Narcissus Unfolding

“There is food for thought throughout this collection.”—Amos Lassen, reviewsbyamoslassen.com

“Poetry requires a light touch, of knowing what to leave out, what not to over-explain. Jeffrey’s poems are easy to read, but not simple… a classy book of poetry.”—Paul Bellini, mygaytoronto.com

Jeffrey Round is an award-winning writer, director, and playwright. He is the author of A Cage of Bones, The Honey Locust,  The P-town Murders and the Lambda Award-winning Lake on the Mountain. He founded a multimedia theater company, Best Boys Productions, and his full-length stage play, Zebra, won the Gay and Lesbian Appeal’s “Right to Privacy Award” and was nominated for a Pink Trillium for Best Play. He founded the Church-Wellesley Review, Canada’s first print journal for LGBT creative writing. He lives in Toronto.

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Best Canadian Poetry 2012

Best Canadian PoetryISBN 9781926639550
Price: $14.95 special sale!




Continuing in a long-established tradition of poetry excellence, this collection of 50 poems is culled from Canadian literary magazines and journals. The handpicked selection includes the best, and most current, representations of the vibrant Canadian poetry scene. This distinguished volume offers both a convenient introduction to contemporary poets in Canada and a collectible yearbook for seasoned poetry readers, distilled by the esteemed editorial tastes of a new guest editor and an accomplished poetry editor.

“A magnet, I think, for the many people who would like to know contemporary poetry”—A.F. Moritz, Griffin Poetry Prize winner

“From traditional verse to prose poems, from tight couplets to drawn out block stanzas, inclusive of free verse and the occasional rhyme, the selections of The Best Canadian Poetry in English 2012 are vast and varied, complex and delightful, and representative of the multi-faceted voices arising coast to coast.”—Lori A. May, Lonely Offices

“A remarkable collection of poems from some of Canada’s best poets”—goodreads.com

Molly PeacockMolly Peacock, a poet and a creative nonfiction writer, is the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72 (2010) and six books of poetry, including The Second Blush (2008) and Cornucopia: New & Selected Poems (2002). Among her other works are a memoir called Paradise, Piece By Piece (1998). She is the co-editor of Poetry in Motion: One Hundred Poems from the Subways and Buses (1996).

Carmine StarninoCarmine Starnino has published four critically acclaimed volumes of poetry, including This Way Out (2009), which was nominated for the Governor General’s Award.  His other books include A Lover’s Quarrel (2004), a collection of reviews and essays, and The New Canon: An Anthology of Canadian Poetry (2005), which he edited. His most recent book is Lazy Bastardism: Essays and Reviews on Contemporary Poetry (2012). Starnino lives in Montreal, where he is poetry editor for Vehicule Press.

 

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The Mourner’s Book of Albums | Daniel Scott Tysdal

ISBN: 978-1-926639-20-8
Price: $16.95
Pub Date: Fall 2010

Longlisted for the 2011 ReLit Award




An unconventional and profound mixed-media poetry collection that blends traditional and avant garde forms to explore remembrance, grief, and mourning. Daniel Scott Tysdal follows up his first award-winning collection of poetry with The Mourner’s Book of Albums, an emotionally striking and formally ambitious exploration of the elegiac tradition and the twenty-first-century attitude to remembrance and grief. Encountering a wide range of arresting events—from a best friend’s suicide to the war in Afghanistan, from improvised memorials to the plastinated corpses of Body Worlds—these innovative poems survey the forces and forms that shape what and how we mourn. The sonically lively lines, the vivid images, and the richly textured voices of the The Mourner’s Book of Albums are composed in a variety of traditional and unconventional forms—the lyric, the ballad, the graphic poem, and the fabricated document, to name a few—as a means of grappling with the many acts and practices that link the living and the dead. Tysdal compiles the albums, however fluid and fragile, that hold them together.

Click to read an excerpt from The Mourner’s Book of Albums.

Praise for Predicting the Next Big Advertising Breakthrough Using a Potentially Dangerous Method:

“Daniel Scott Tysdal’s poetry is an exhilarating mix of pop culture, philosophy, mythology, and visual art. Here is a poet who possesses the rare combination of experimental instinct and communicative acuity. Read this book for its confident virtuosity, its innovative spirit, and its surprising generosity.”—Jon Paul Fiorentino

“Tysdal recognizes and deconstructs—playfully—the patented absurdity of conventional language. He employs academic, literary, and pop cultural terms, references, discourses, and images to underscore the implicit argument here that standard semantic structures—rhetorics—obscure truth and, thus, Justice. Yet, for all their high-minded, critical jouissance, the lyrics are lively with accessible puns, jokes, games, and satire.”—George Elliot Clarke, author of Whylah Falls

“Tysdal at his best creates a complex, multidimensional, and often contradictory layering of thought and feeling; this tremendously rich, inventive, and energetic book is a most auspicious debut.”—Malcolm Woodland, “Letters in Canada 2006: Poetry,” University of Toronto Quarterly

Daniel Scott Tysdal is the author of Predicting the Next Big Advertising Breakthrough Using a Potentially Dangerous Method (Coteau 2006), which received the ReLit Award for Poetry (2007) and the Anne Szumigalski Poetry Award (2006). His work has appeared in a number of Canadian literary journals and has earned him both an honourable mention at the 2003 National Magazine Awards and a place in the finals of the CBC’s 2005 National Poetry Face-Off. He teaches creative writing and English literature at the University of Toronto, Scarborough.

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The Best Canadian Poetry in English 2011


ISBN-13: 978126639413
Price: $14.95 special sale!
Pub Date: Fall 2011




The Best Canadian Poetry in English 2011 proudly continues a series that kicked off with a bang in 2008 and thrives under the stewardship of esteemed editor Molly Peacock and a different acclaimed poet guest editor each year. For 2011, Priscila Uppal chose the fifty best Canadian poems published in Canadian online and print literary journals in 2010. With this annual anthology, readers are able to tap into the remarkable and vibrant Canadian poetry scene.

“Tightrope is doing a great service to Canadian poetry by launching this series, and Uppal does a commendable job with this go-around. I will definitely keep my eyes open for subsequent editions in the coming years.” Mark Sampson, Free Range Reading

And no matter the theme, no matter the form, The Best Canadian Poetry In English 2011 urges us to look at our poetry with new eyes, new appreciation for what our nation is writing and, hopefully, publishing.—Lori May, Northern Poetry Review

About the Guest Editor
Priscila Uppal is a poet, novelist, and York University professor. Her publications include Ontological Necessities (shortlisted for the Griffin Poetry Prize), Traumatology, Successful Tragedies (Bloodaxe books, UK), Winter Sport: Poems (written as Canadian Athletes Now poet-in-residence for the Olympic and Paralympic Games) the novels The Divine Economy of Salvation and To Whom It May Concern, and the study We Are What We Mourn: The Contemporary English-Canadian Elegy. Time Out London recently dubbed her “Canada’s coolest poet.” Visit priscilauppal.ca

About the Series Editor
Molly Peacock is the author of six volumes of poetry, including The Second Blush; a memoir, Paradise, Piece by Piece; and a one-woman show in poems, “The Shimmering Verge.” She is a contributing editor of the Literary Review of Canada and a faculty mentor at the Spalding MFA Program. Her latest work of nonfiction is The Paper Garden: Mrs. Delaney Begins Her Life’s Work at 72, which was nominated for BC’s National Award for Canadian Non-Fiction.

 

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Strangers in Paris: New Writing Inspired by the City of Light


ISBN: 9781926639321
Price: $19.95
Pub Date: 2011




An anthology of poetry and fiction with the city of Paris as its unifying thread.

The stunning variety of writing in this volume addresses the city of Paris in all its complexity, while challenging the mythology of expatriate Parisian literature. The anthology contains entries as diverse and disparate as an excerpt from John Berger’s novel, Here is Where We Meet; Suzanne Allen’s ekphrastic poetry, a tongue-in-cheek take on the nineteenth-century novel by Helen Cusack O’Keeffe; Canadian writer Lisa Pasold’s story of a forced extended stay in Paris; and an interview with the celebrated American poet Alice Notley.

Strangers in Paris presents anglophone Parisian writing as it is today, without the veneer and expectations of stereotypes, romantic notions, or iconic representations. More than anything, this anthology is a landmark, a notice that begs and entices readers to explore the current English-language authorship developing in and about Paris.

“While the anthology features big names such as Alice Notley and John Berger, it is in the less well-known names that we find the most refreshing takes on the city [of Paris]… this anthology is also a celebration of difference, of the clash between cultures, of the creativity that stems from being in an unknown environment.”—Sabotage Reviews

“A wonderful anthology of poetry and prose…  It brought me right back to rain-drenched streets, warm cafes and interesting strangers. I definitely recommend to anyone who loves all things Paris!”—goodreads.com

Featuring work from Suzanne Allen, Mia Bailey, David Barnes, Barbara Beck, Edward Belleville, John Berger, Judith Chriqui, Marie Davis, Sion Dayson, David Eso, Megan Fernandes, Jorie Graham, Jeffrey Greene, Jonathan Hamrick, Isabel Harding, Marty Hiatt, Margaret J. Hults, Andrea Jonsson, Julie Kleinman, Antonia Alexandra Klimenko, Sam Langer, Colin Joseph Wolfgang Mahar, Alexander Kolya Maksik, Jessica Malcomson, Danielle McShine, Alice Notley, Helen Cusack O’Keeffe, Lisa Pasold, Rufo Quintavalle, Alberto Rigettini, Sarah Riggs, Eleni Sikelianos, Kathleen Spivack, Cole Swensen, Elizabeth Willis, and Neil Uzzell.

Editor Biographies

David Barnes moved to Paris in 2003 with the idea of staying for six months. He is still there. He won Shakespeare and Company’s short story competition, Travel in Words, in 2006 and now runs a writing workshop there and a weekly open mic poetry night in Belleville called SpokenWord. His stories have been published by Spot Lit Magazine, Upstairs at Duroc, and 34th Parallel.

Megan Fernandes is a PhD student at the University of California, Santa Barbara. She is currently writing a dissertation on cognitive approaches to twentieth-century Irish and American literature. During her time in Paris, she has conducted research at the Center for Literature and Cognition at the Université Paris VIII and will be published in the upcoming issue of Upstairs at Duroc (2010). She has presented at conferences in the US, Ireland, and Poland and has an essay on Beckett to be published in the literary journal, Miranda (University Press of Toulouse). In 2015, Tightrope published her first full poetry collection, The Kingdom and After.

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Come Closer | Leanne Averbach

Come Closer, by Leanne AverbachISBN: 9781926639192
Price: $12.95 – special sale!
Pub Date: Fall 2010

Longlisted for the 2011 ReLit Award




From poet and award-winning filmmaker Leanne Averbach comes a new collection of poems. Come Closer draws on themes as widespread as Averbach’s left-wing-activist and trade-union-organizer past, the loss of her parents, the Iraq War, and the homeless, all seen through the gritty lens of New York City and with a persistent inner dialogue about love, family, and doubt. Cool-burning with the strange and the sensual, Come Closer takes the imposing realities of political, environmental, and social upheaval, and infuses each with the personal.

Praise for Leanne Averbach

“Witty, cynical and startlingly lusty, Averbach’s lushly lyrical, ‘thick wet strokes’ of irreverence are finely wrought with haunting immediacy. Her work provides a must-read collection: highly charged eroto-comic and compelling snapshots that linger.”—Adeena Karasick

“Averbach’s poems swing from worldly to wild.”—Georgia Straight

Leanne Averbach is a Canadian poet and filmmaker. She has been published and has performed with musicians across Canada, in the US, and in Italy. Her first book, Fever (Mansfield Press), was shortlisted for the Gerald Lampert Memorial Prize in 2006. Her companion CD Fever is a fusion of her spoken words and the blues/jazz accompaniment of the Vancouver group Indigo. Averbach’s second short film based on her poetry, Teacups & Mink, has garnered numerous awards. For more information visit www.leanneaverbach.com.

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The Best Canadian Poetry 2010

ISBN: 9781926639161
Price: $14.95 special sale!
Pub Date: Fall 2010




The outstanding success of The Best Canadian Poetry in English series continues in 2010 with guest editor Lorna Crozier. The Best Canadian Poetry in English 2010 proudly continues a series that kicked off with a bang in 2008 under the stewardship of esteemed series editor, Molly Peacock, and inaugural guest editor, award-winning poet Stephanie Bolster. The 2009 edition was expertly curated by A.F. Moritz, winner of the 2009 Griffin Poetry Prize. And for 2010, Lorna Crozier has chosen the fifty best Canadian poems published in Canadian literary journals and magazines in the preceding  year. With this anthology, readers—often baffled by proliferating poems and poets—will be able to tap into the remarkable and vibrant Canadian poetry scene, checking out the currents—and cross currents—of poetry in a volume distilled by a round robin of distinguished editorial taste.

Click to read an excerpt from The Best Canadian Poetry in English, 2010.

“A satisfying amuse-bouche sampling of some of Canada’s most active and celebrated contemporary poets… I enjoyed this collection immensely.”—Rhonda Douglas, Arc Poetry Magazine

“Some of us can only afford a half a dozen or so subscriptions to literary magazines, so the publication of The Best Canadian Poetry in English, now in its third year, is a welcome event.”—Maxianne Berger, Rover Arts

Lorna Crozier has received numerous awards for her fourteen books of poetry, including the Governor-General’s Award-winning Inventing the Hawk. She has also edited anthologies, among them Desire in Seven Voices and, with Patrick Lane, Addicted: Notes from the Belly of the Beast and two anthologies of new Canadian poets, Breathing Fire 1 and 2. Her most recent book is Small Beneath the Sky: A Prairie Memoir. She has read her work in every continent except Antartica and last year a collection of her poems translated into Spanish was published in Mexico City. She lives in Saanich, BC, and teaches and serves as Chair in the Writing Department at the University of Victoria.

Molly Peacock is the author of six volumes of poetry, including The Second Blush (McClelland & Stewart, 2009), Cornucopia: New & Selected Poems (W.W. Norton) a memoir Paradise, Piece by Piece, and a one-woman show in poems, “The Shimmering Verge” produced by Louise Fagan Productions (London, Ontario). She has been series editor of The Best Canadian Poetry in English since 2007, as well as a contributing editor of the Literary Review of Canada and a faculty mentor at the Spalding MFA Program. Her poetry, published in leading literary journals in North America and the UK, is widely anthologized. Her latest work of nonfiction is The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72 (McClelland & Stewart, 2010).

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Monster | David Livingstone Clink

Monster, by David Livingstone ClinkISBN: 9781926639185
Pub Date: Fall 2010


Monster is a poetry book that Pandora would want to open, containing poems that Eve would bite into. In a sophomore collection that is bound to cause a stir, David Livingstone Clink takes you on a journey into the belly of the beast, a journey that is both dark and surreal, strange and unusual, a departure from the safe neighbourhoods where people don’t lock their doors at night. But all is not dark! There are the unusual and surreal places that bend your mind, that make you look at things you thought you knew but in a different light, and there is humour. But there is also elder abuse, infidelity, molestation, murder, suicide, serial killers and shapeshifters, six-legged dogs and bodies hanging from barn rafters, spiderwebs and fallen cities, steampunk airships muscling into the night, and always the shadows helping us define our shape, how we feel, and, ultimately, who we are.

Click to read an excerpt from Monster.

“Clink’s use of language and poetic form in Monster creates a surreal malaise that readers will swim in, searching for an exit but enticed to stay to uncover the dark truth about themselves.  A dark truth that is worth knowing so that they can move beyond it to a more mindful life.  Another winner in poetry.”—Serena Agusto-Cox, Savvy Verse and Wit

Praise for David Clink’s Eating Fruit Out of Season

“When I picked up Eating Fruit out of Season, Clink’s first full-length poetry collection, I expected mostly to laugh and be amused. Instead, I felt nearly the entire spectrum of human emotion. Clink writes with an earnest necessity I didn’t know was in him.”—Jacob Scheier, Prairie Fire

“Clink’s debut suggests the possibility of a less isolated and obscure voice for the contemporary poet.”—Maurice Mierau, Winnipeg Free Press

“Nowhere in Canadian poetry will the prosaic mind discover verse so barbed and ironic as in this text, while inspired intellects must find it a source of prophetic nostalgia and exquisite, fleshed-out wisdom. Herein is Ontario pastoral and Space-Age romanticism, both scrutinized by a poet who inks truth that is satire.”—George Elliott Clarke, author of Whylah Falls

“I found reading Eating Fruit out of Season to be like, well, like eating fruit out of season—unpredictable, intriguing, not every bite to my taste, but I didn’t want to stop eating.”—Maureen Scott Harris, author of Drowning Lessons

David Livingstone Clink’s poetry has appeared in The Antigonish Review, CV2, The Dalhousie Review, The Fiddlehead, Grain, Literary Review of Canada, The Prairie Journal, and in ten anthologies, including I.V. Lounge Nights, Garden Variety, Imagination in Action, and Tesseracts XIV. He edited the poetry anthology, A Verdant Green. His first book of poetry was Eating Fruit Out of Season. He lives in Toronto.

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