ISBN-10: 1-926639-36-7
ISBN-13: 978-1-926639-36-9
Price: $18.95
Pub Date: Spring 2011

Award-winning poet Jim Johnstone unites science, poetry, and art in an innovative and intellectual examination of the symbolism associated with locusts.

A long poem that probes love and loss in fragments of verse and hybrid-media collage, Sunday, the locusts is a post-apocalyptic tour-de-force.

Drawing on a variety of disciplines including developmental biology, geology and philosophy, Jim Johnstone and Julienne Lottering blur linguistic boundaries to create a unique collaborative text.

Hymn, map, portent—Sunday, the locusts warns against inevitable extinction while also revelling in the vivacity of personhood.

About the Author

Jim Johnstone (b. 1978) is a writer and physiologist in Toronto. He is the author of two previous collections of poetry: Patternicity (Nightwood Editions, 2010) and The Velocity of Escape (Guernica Editions, 2008). His poems have been published in several Canadian magazines, including Descant, enRoute, The Fiddlehead, Grain, Maisonneuve, The Malahat Review, and PRISM International and anthologized in The Best Canadian Poetry in English 2010. He is the founder and editor of Misunderstandings Magazine and poetry editor of Cactus Press. See jimjohnstone.wordpress.com.

About the Illustrator

Julienne Lottering was born in South Africa but has been living in Canada and exhibiting in Toronto, Lyon, and New York since 2000. Her artwork has appeared on the book cover of Life and the Sheath of Enlightenment and in Misunderstandings Magazine.

Praise for Patternicity

“Patternicity transforms the mundane into the otherworldly.”
—Mark Callanan, Quill & Quire

“I love Patternicity for its dirty noises . . . Jim Johnstone’s forms are shapely, but feral. His music is beautifully rational, complex and charismatic.”
—Carmine Starnino

ISBN-10: 1-926639-32-4
ISBN-13: 978-1-926639-32-1
Price: $19.95
Pub Date: May 2011

An anthology of poetry and fiction with the city of Paris as its unifying thread.

The stunning variety of writing in this volume addresses the city of Paris in all its complexity, while challenging the mythology of expatriate Parisian literature. The anthology contains entries as diverse and disparate as an excerpt from John Berger’s novel, Here is Where We Meet; Suzanne Allen’s ekphrastic poetry, a tongue-in-cheek take on the nineteenth-century novel by Helen Cusack O’Keeffe; Canadian writer Lisa Pasold’s story of a forced extended stay in Paris; and an interview with the celebrated American poet Alice Notley.

Strangers in Paris presents anglophone Parisian writing as it is today, without the veneer and expectations of stereotypes, romantic notions, or iconic representations. More than anything, this anthology is a landmark, a notice that begs and entices readers to explore the current English-language authorship developing in and about Paris.

Featuring work from Suzanne Allen, Mia Bailey, David Barnes, Barbara Beck, Edward Belleville, John Berger, Judith Chriqui, Marie Davis, Sion Dayson, David Eso, Megan Fernandes, Jorie Graham, Jeffrey Greene, Jonathan Hamrick, Isabel Harding, Marty Hiatt, Margaret J. Hults, Andrea Jonsson, Julie Kleinman, Antonia Klimenko, Sam Langer, Colin Joseph Wolfgang Mahar, Alexander Kolya Maksik, Jessica Malcomson, Danielle McShine, Alice Notley, Helen Cusack O’Keeffe, Lisa Pasold, Rufo Quintavalle, Alberto Rigettini, Sarah Riggs, Eleni Sikelianos, Kathleen Spivack, Cole Swensen, Elizabeth Willis, and Neil Uzzell.

Editor Biographies

David Barnes moved to Paris in 2003 with the idea of staying for six months. He is still there. He won Shakespeare and Company’s short story competition, Travel in Words, in 2006 and now runs a writing workshop there and a weekly open mic poetry night in Belleville called SpokenWord. His stories have been published by Spot Lit Magazine, Upstairs at Duroc, and 34th Parallel.

Megan Fernandes is a PhD student at the University of California, Santa Barbara. She is currently writing a dissertation on cognitive approaches to twentieth-century Irish and American literature. During her time in Paris, she has conducted research at the Center for Literature and Cognition at the Université Paris VIII and will be published in the upcoming issue of Upstairs at Duroc (2010). She has presented at conferences in the US, Ireland, and Poland and has an essay on Beckett to be published in the literary journal, Miranda (University Press of Toulouse).

ISBN-10: 0973864583
ISBN-13: 9780973864588
Price: $21.95
Pub Date: 2007

In The Stone Skippers, Burgham launches dazzling poems that explore the central core of our humanity upon the Canadian literary landscape.

The poems examine how love is a territory we map with little skill. The speaker returns again and again to the distances we set up or have imposed upon ourselves by relationships of desire and love, all against the motif of conversations inner conversations, day-to-day conversations, one-sided conversations, unfinished and halting conversations.

Click to read an excerpt from The Stone Skippers.

Ian Burgham is an associate of the League of Canadian Poets. In 2004 he won the Queens University Well-Versed Poetry Prize. He is a graduate of both Queens University and the University of Edinburgh, and has lived for extended periods in various parts of the world. He served as a senior editor at Canongate Publishing in Edinburgh during the early 1980s. His poems have been published in a number of literary journals and magazines including dANDelion, Queens Quarterly, Scottish Arts Journal, Harpweaver, and the Literary Review of Canada. Burgham has had one poetry book published in the United Kingdom: Confession of Birds, (2003 chapbook). His first full collection of poems, The Stone Skippers, will be published in Australia and New Zealand by Sunline Press, Perth (introduction by Newcastle Prize winning poet, Roland Leach) and, in the UK by MacLean Dubois Publishers in February 2007 (Introduction by novelist and poet, Alexander McCall Smith). He is currently working on his third collection. Ian works as a volunteer to further the efforts of the Griffin Prize for Excellence in Poetry. He is an adjunct Assistant Professor in the Department of Family Medicine at Queens University.

ISBN-10: 097833518X
ISBN-13: 9780978335182
Price: $14.95
Pub Date: 2009

Tara-Michelle Ziniuk’s second collection of poetry is dangerously sarcastic, Toronto-local, bitter, sweet, and bruising in its honesty.

Challenging the notions of what a girl runs from, both literally and figuratively, Somewhere to Run From takes on complex settings from which to depart: poverty, pop and sub-culture, madness and normative sexuality among these locations.

Click to read an excerpt from Somewhere to Run From.

Tara-Michelle Ziniuk is a Montreal-born, Toronto-based author, performer and activist with an extensive background in community radio. She has been published in magazines and anthologies across North America and is a regular contributor to NOW, Broken Pencil Magazine, and Herizons as well as writing for This, $pread, HOUR and others. Her first book, Emergency Contact, was released with McGilligan Books in 2006 to wide critical acclaim and was taught through the English Department at York University.

ISBN-10: 0978335198
ISBN-13: 9780978335199
Price: $18.95
Pub Date: 2009

Co-editors Megan Griffith-Greene and Stacey May Fowles have compiled an anthology of fearless and funny non-fiction about strong, smart and shameless young women.

With wit and honesty, the writers share stories of their teen experiences (both positive and negative) on everything from pop culture to high school principals.

The book is founded on Shameless magazine’s tradition of smart, sassy, honest and inclusive writing that reaches out to young female readers who are often ignored by mainstream: freethinkers, queer youth, young women of colour, punk rockers, feminists, intellectuals, artists and activists.

Click to read an excerpt from She’s Shameless.

Featuring work from Nicole Cohen, Melinda Mattos, Stacey May Fowles, Megan Griffith-Greene, Amy Saxon Bosworth, Shannon Webb-Campbell, Nicole Pasulka, Adrienne Mercer, Jowita Bydlowska, Teri Vlassopoulos, Shannon Gerard, K Bannerman, Jessica McGann, Shaunga Tagore, Karma Waltonen, Denise Reich, Dianah Smith, Catherine Graham, Pam Park, Maggie Dort, Julia Serano, BJ MacBain, Jessica Lockhart, Cora Goss-Grubbs, Sarah Pinder, Tara-Michelle Ziniuk, Emily Pohl-Weary, Zoe Whittall, Suzy Malik, and Lynn Bartels.

Editors’ Bios:
Stacey May Fowles is a writer and McGill Graduate in English Literature and Women’s Studies who has worked in the literary and gallery communities of Montreal, Toronto and Vancouver. Her first novel Be Good (Tightrope Books) came out in 2007, her second book Fear of Fighting (Invisible Publishing) was launched in 2008. Her written work has been published in various digital and literary publications, including Fireweed, The Absinthe Literary Review, Kiss Machine, sub-TERRAIN, Lickety Split and Hive Magazine. Her non-fiction piece “Friction Burn” appeared in the widely acclaimed anthology Nobody Passes: Rejecting the Rules of Gender and Conformity (ed. Matt Bernstein Sycamore, Seal Press). Her work is also in the anthology Transits: Stories from In-Between (Invisible Publishing) and Cahoots Magazine. She is the publisher of Shameless magazine.

Megan Griffith-Greene’s experience in activism, arts and journalism started when she was a very shameless teen growing up in Toronto. Now, she is the editor of Shameless magazine, a feminist magazine for teens and young women, and a contributing editor of Chatelaine. She is also a founding editor and designer of The New Pollution new music review, a web-based magazine and pod-cast on indie music. Her writing has appeared in THIS magazine, The Walrus and Chatelaine.