No Line in Time—Sonja Ruth Greckol


ISBN: 9781988040400
Price: $19.95




No Line in Time transits between the mechanisms that “emptied” the geography of a prairie childhood and privileged adult learning and travel. It questions what lay under the feet taking possession and leads to medieval Spain, to Aragon launching Columbus. Greckol moves from historilessness to the timeliness of “now:” great- granddaughter of Eastern Europe learning her place winding flashes of medieval poetry, slight sketches of philosopher-soldiers, and faint tableaus, in disjunctive blurts and lyric flights threading an iterating unstable self, preoccupied with the blanks and fissures in her learning.

“If Al-Andalus was a utopia where Muslims, Christians, and Jews  seemed to tolerate one another for a while, Alberta is another kind of no place where denial blanks six centuries of forgetting not secret just blank conquest plowing land fouled by elders falling through now-time breaking bodies histories lastitudes SE25-55-14-W4. Rhythm is how blank silence breaks in No Line in Time, Greckol’s dense furrowed sentiences unsettlearning contquested terrains leaving blood shit fruit silk scream storm debris material unworked power flowering through progress’s cracks. Read No Line in Time for bodies marked in time not blank but filled with her;our cacophonous surround of the now.” —Rachel Zolf, author of Janey’s Arcadia

“Sonja Greckol conveys a sharp sense of the missing as diasporas migrate, settle, and unsettle across continents inflicting and carrying trauma, creating hybrids and erasing genetic lines. Varied stanza sizes in tight blocks of text establish rhythms and train the reader how to be in the poem. Swarmed with associations—rich cross-referencing and pollinating—each stanza is like a text book. A reader may lose purchase in difficult poems but be filled by the atmosphere of the poem.” —Michael Redhill, author of Bellevue Square

Photo: Robi Levi

Sonja Ruth Greckol was moved to write poetry when Mike Harris was elected to a second term. Now she finds herself muttering nasty limericks which, alas, are unpublishable. She has taught college and university, studied order and disorder in jokes, done human rights and gender-based research, organizational consulting, and local activism.

Posted in N, Poetry, spring 2018, Uncategorized | Tagged , , , , |

When Centipedes Dream—Sue Bracken


ISBN: 9781988040387
Price: $19.95




Sue Bracken often finds the bizarre and the beautiful in what she sees. When Centipedes Dream, her debut book of poems, is a collection of these sightings. It  ranges from the familial love in a small blue bracelet,  the roar surrounding the loss of a sibling, the balletic thoughts of a homeless woman in a Toronto shelter, to a decadent night at the Gladstone Hotel. Her work brims with both joy and sorrow, but mostly astonishment at all these moments.

“Sue Bracken’s poems riff with grit, wit, and grace. A debut collection that hums with ‘beautiful god sparkle.’” —Laura Lush, author of Carapace and Swing Beam

“With the flick of a mer-woman’s tale, Sue Bracken’s first collection of poems is both muscular and full of grace. A ‘cool pool of wonder’ that one feels compelled to dive into and that reminds us of our aqueous origins. At turns playful and elegiac but always brave, these poems shimmer on the page.” — Jane Byers, author of Acquired Community and Steeling Effects

When Centipedes Dream is, at turns, sweetly playful, joyous, empathic, and above all, infectiously in  love with language. Such odd and lovely creatures populate Sue Bracken’s protean mind; such perfectly expressed, lyrical, love. A book to dream with.” —Lynn Crosbie, author of The Corpses of the Future and Where Did You Sleep Last Night

Photo: David McClyment

Sue Bracken lives in Toronto in  a house ruled by artists and animals. This is her debut collection of poetry.

Posted in Poetry, Uncategorized, W | Tagged , , , |

destination out—charles c. smith

ISBN: 9781988040394
Price: $19.95




destination out is a dark collection of poetry in three parts. The book tells of leavings: from family, countries of origin, legacies based on truth and rumour in small communities back home, and what happens after. Some poems depict artists full of so much that they reached beyond their bodies’ borders and ended up spread out on a table for final reckoning, or venturing into mad houses and brothels and gutters in wet snow. The collection also reveals elders, mystics, lovers, and seers who glimpsed shades of light and reached out to them, falling into the inexpressible and the unknown.

In destination out, charles smith reveals an exacting poetic clarity for the intensity of the moment, and a fine poetic ear for the lyrical. His lines, ‘you wove your experience / as at a loom / the yarn threaded theory / clothed spirit,’ might well be a statement of his own poetics. These poems journey with certainty across the solid ground of smith’s poignant yearning to know his father and his namesake brother who died just before smith’s birth; his celebration of the brilliance of US jazz artists against the racism meted out to them; and his horror at the violent and harrowing attacks on an ancient culture.” —Maureen Hynes, author of The Poison Colour

“The poems in destination out compel you to dive deep into shadows, witness the beauty there, while admiring the magnificence of nature.” —Dane Swan, author of A Mingus Lullaby 

“smith takes the reader on a lyrical, poetic hang-time experience roller coasting through the vastly deep infinite skies between childhood adventures, an estranged father, and a wayward young man’s rebirth, redemption, and adult-awakened confidence rooted in jumping, life-breathing jazz. This is more than imitation ragtime wolverine blues. These poems are tight, meticulously crafted, syncopated, and always invoking meaningful light. destination out is a true revelation and a must read!” —Michael Fraser, author of To Greet Yourself Arriving

“charles c. smith’s poetry is about walking ‘out of circumstance’ by people who know ‘first-hand / all the patterns of the darkness.’ It has the urgency of breath and the beauty of blood. The speaker in these poems recounts the journey of his family through time in a voice ‘deep as death.’ Smith’s poetic language is a fractured mirror held up to stories, defying the limits of observation.” —Bänoo Zan, author of Songs of Exile

“charles c. smith is a true poet: not only an artisan of rhythm and words, but a conjurer of the quiet voices who reside in liminal space. We hear in his works the pain of injustice and loss, the tragedies of the marginalized and near-forgotten, and the hope of redeeming history. Smith jars the reader out of the comfort zones of the warm and familiar and into the places that disquiet our hearts and minds. destination out is a brave work.”  —Dr. Georgia Wilder, lecturer/writing instructor, New College, University of Toronto

Photo: Bia Rohde

charles c. smith is a poet, playwright and essayist who has written and edited twelve books. He studied poetry and drama with William Packard, editor of the New York Quarterly Magazine, at New York University and Herbert Berghof Studios. He also studied drama at the Frank Silvera Writers’ Workshop in Harlem. He won second prize for his play Last Days for the Desperate from Black Theatre Canada, has edited three collections of poetry, has four published books of poetry, and his poetry has appeared in numerous journals and magazines.

Posted in D, Poetry, spring 2018, Uncategorized | Tagged , , , , , , , , |

The Best of the Best Canadian Poetry in English

ISBN:  9781988040349
Price: 24.95




The Best of the Best Canadian Poetry in English takes the pulse of Canadian poetry with ninety superb poems that have excelled—twice—at the test of “the best.” With poems chosen from the first nine volumes of this landmark series, this special tenth-anniversary edition highlights a vibrant variety of subjects from romance and family to ecology and the economy—not to mention blizzards and bears. Ranging from iconic poets Michael Ondaatje, Anne Carson, George Elliott Clarke, and P.K. Page to notable upstarts, the anthology includes an index for readers, notes from the poets, an illuminating analysis of Canadian poetics by series editor Molly Peacock, and provocative excerpts from past introductions by guest editors Stephanie Bolster, A.F. Moritz, Lorna Crozier, Priscila Uppal, Carmine Starnino, Sue Goyette, Sonnet L’Abbé, Jacob McArthur Mooney, and Helen Humphreys.

For a full list of The Best of the Best Canadian Poetry contributors, visit the Best Canadian Poetry Series site.

“A collection as complex and satisfying as a symphony.” —Publishers Weekly

“A great jumping-off point for readers who might be interested in Canadian poetry but are unsure about where to start.”—Emma Healey, Globe and Mail

“Bits of eternity, arranged alphabetically.”—Merilyn Simonds, Kingston Whig-Standard

“Canada’s most eloquent, profound, humorous and meditative writers, ranging from the seasoned and well known to the new and upcoming.” —Eric Schmaltz, Broken Pencil

“The Best Canadian Poetry series offers an annual sampling of voices and experiences—a little slice of Canadiana that may be appreciated beyond borders as well.” —Lori A. May, Examiner.com

“Buy it, or borrow it, but do read it.”—Paul Tyler, Arc Poetry Magazine

Anita Lahey is a poet, journalist, reviewer, and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award. Anita is a former editor of Arc Poetry Magazine, and posts occasionally on her blog, “Henrietta & Me: People and other wonders found in books.”

Molly Peacock is a widely anthologized poet and writer. Her seventh volume of poetry is The Analyst, poems about psychoanalysis, poetry, and painting, from Biblioasis. Her recent book of tiny tales is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka; she is also the author of a biography, The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72, and a memoir, Paradise, Piece by Piece, all from McClelland & Stewart.

Posted in 2017, Anthologies, B, Best Canadian Poetry, Catalogue, Fall 2017, Poetry | Tagged , , , , , , , , , , , , , , , |

Seasons In an Unknown Key

9781988040202 Seasons coverISBN: 9781988040202

Price: $19.95




In her latest collection of poems, Karen Mulhallen takes us on a physical journey through the course of a year and on a spiritual journey through many lives. The beauty of birds, the amour fou of the inconstant lover, the rapture of the past in the history of Toronto Islands and of the city of Pompeii. This is a poet at the height of her art, crafting language and rhythm, to mirror the ebb and flow of the scene. A compelling and devastating group of poems.

“Through Mulhallen’s poems we enter ‘the mangled beauty of the world.’ In the small universe of her exquisite urban garden visited by hawks; in the large universe of her language where words, archaic and modern, sing, we share her elegiac apology to our despoiled planet and her need to celebrate the beauty of now, with love and longing.” —Rosemary Sullivan, author of Stalin’s Daughter

Photo by Michael Torosian

Photo by Michael Torosian

Karen Mulhallen was born in southern Ontario and has spent her life as a teacher, editor and writer. She has published eighteen previous books and numerous articles on the arts and culture. karenmulhallen.com

Posted in 2017, Poetry, S, spring 2017 | Tagged , , , , |

Closer to Where We Began

9781988040189 Closer cover

ISBN: 9781988040189

Price: $19.95




Lisa Richter’s Closer to Where We Began is a diverse collection of poetry that follows the speaker on a path of self-discovery. The collection navigates the tension between memory and imagination, between the personal and the political, and the primacy of sensual, sensory, lived experience. These dream-like poems not only concern themselves with the speaker, but with urban and natural environments, friends, family, and lovers, past and present. The poet explores overlapping/intersecting identities that shape and inform us, celebrating the importance of telling our stories as a means of bringing us closer to our authentic selves.

“Lisa Richter weaves time and place with grace and expertise throughout the poems in this her first collection, Closer to Where We Began. Sensual, delicate yet biting, these poems sweep forward and back with energy and insight proving ‘the heart is a finite muscle of blood and music.’ By following the rhythm of each poem’s unfolding we are led to a ‘deeper quiet.’  A rich and resonant book.”—Catherine Graham, author of Her Red Hair Rises with the Wings of Insects

‘”Invoke the light…” writes Lisa Richter, ‘the light that leaves nothing / in its wake that is cold or unkind.’ With a richness in metaphor and a clarity of vision, Richter deftly travels the reader through seasonal tapestries of nature, across many identities, into many cities, and inside the bounds of family. Yet losses, and the world’s coldness and cruelty are not ignored, but rather, their pains and truths explored poetically: ‘the tongue finds its muse in the most sour of ripenings.’ The confidence and tenderness of Richter’s voice, and her mastery of form, makes Closer to Where We Began a rich and compelling read.”—Maureen Hynes, author of The Poison Colour

“Richter excavates memory as a geography forged by the complexities of human relationships. To read her work is to be transported into an alternate landscape wherein each encounter has been dissected and reassembled with a simultaneously commanding and vulnerable acuity.”—Robin Richardson, author of Knife Throwing Through Self-Hypnosis

“Richter’s first book traces an intimate diaspora… These are pieces of young mid-life when possibly a deeper consciousness of death and history twins with continued and reconfigured desires.”—Catherine Owen, Marrrow Reviews

“The poet admits rebellion… She is ‘Taking Stock’ of ghosts without stories… here are allusions to Robertson Davies’ Fifth Business and graffiti in Kensington Market; Where the Wild Things Are, poetry homage based on Evelyn Lau, Kate Braid, Theodore Roethke.”—Anne Burke, poets.ca

“Lisa Richter’s Closer To Where We Begin looks at our world through lucid dreams and then she writes it all down… these poems lit the place up. Richter has a sharp, laser type tongue, even if it often resides in her cheek.”—Michael Dennis, Today’s Book of Poetry

Photo by Matthew Burpee

Photo by Matthew Burpee

Lisa Richter‘s poetry has appeared in The Malahat Review, The Puritan, Literary Review of Canada, The Toronto Quarterly, Crab Creek Review, among other journals and anthologies. She was longlisted for the CBC Poetry Prize in 2015, and won first place in CV2 Magazine’s 2-Day Poem Contest in 2017. Closer to Where We Began is her first collection of poetry. She lives, writes, and teaches English as a Second Language in Toronto.

 

Posted in 2017, C, Poetry, spring 2017 | Tagged , , , , , , , , , |

Prosopagnosia—Ron Charach

proso test

ISBN: 9781988040226

PRICE: $19.95

Riffing on the neurological condition “prosopagnosia” (face blindness), the difficulty recognizing familiar faces, Ron Charach’s new collection of poems explores our struggle to recognize ourselves in others, and to remain recognizable to them across the boundaries of gender, race and religion, health and illness, love and indifference, celebrity and fandom, youth and advancing age.

Praise for Ron Charach’s poetry

“Ron Charach’s poetry—its expansiveness, its general extension of the boundaries (or so-called boundaries) of poetry, its political bite and pick-up from daily life—are all pleasures for the reader.”
Don McKay, author of Camber and Angular Unconformity 

“There’s a quirkiness of perspective in Ron Charach’s work which banishes the world of self-serving earnestness to the margins… I find myself thinking: if the social leg-hold traps we set for ourselves can’t be got free of, at least we can look down and laugh.”
Roo Borson, author of Cardinal in the Eastern White Cedar and Short Journey Upriver Toward Oishida

“Ron Charach is a metaphysical poet, if by metaphysical one means a poet concerned with the role of the human spirit in the great drama of experience. His concern with the complexities of humanity’s relationship to God and Nature make him a poet to be reckoned with.”
—John B. Lee, author of The Widow’s Land and The Full Measure

Ron Charach

Photo by Sean DeCory

Ron Charach is an author and practicing psychiatrist who lives in Toronto. He has lectured in both Canada and the United States on creativity. For sixteen years he hosted a column on medicine and poetry in The Medical Post, where he showcased the work of other physician/poets. His books are featured on the New York University website on the medical humanities and his medically related poems are taught in several medical humanities programs. He has published many letters in Canadian and American newspapers, most often on the subject of public safety.  His 2001 collection, Dungenessque, won the Canadian Jewish Book Award for poetry. Like his psychotherapy work with patients in the creative arts and sciences, Ron Charach’s poetry draws from the twin streams of literature and the healing arts.

Posted in 2017, P, Poetry, spring 2017 | Tagged , , , , , , |

The Best Canadian Poetry in English, 2016

BCP2016 cover
ISBN: 9781988040103
PRICE: $21.95




Guest edited by Helen Humphreys, this ninth edition of Canada’s vibrant yearly anthology features the fifty finest Canadian poems published during 2015. The Best Canadian Poetry series, which thrives under the stewardship of acclaimed series editor, Molly Peacock, and assistant series editor, Anita Lahey, ushers readers into the heart of the diverse Canadian poetry scene. A must-read for anyone with a stake or interest in contemporary Canadian literature.

“Humphreys’ selections are a balanced mix of yearning and optimism, and she skillfully brings the solo works together in a collection as complex and satisfying as a symphony.”Publishers Weekly

“For nine years, this series has been presenting the best of Canada’s published poems in an annual anthology, under the guidance of series editor and poet Molly Peacock… Best Canadian Poetry in English 2016 contains 50 bits of eternity, arranged alphabetically by author from James Arthur to Tara-Michelle Ziniuk.”—Merilyn Simonds, Kingston Whig-Standard

“From love and loss to the political, from formal to informal verse, the Best Canadian Poetry series offers an annual sampling of voices and experiences—a little slice of Canadiana that may be appreciated beyond borders as well.” —Lori A. May, Examiner.com

“The wide range of writers, forms and themes represented here make it a great jumping-off point for readers who might be interested in Canadian poetry but are unsure about where to start.”—Emma Healey, Globe and Mail

Helen Humphreys is the award-winning author of four books of poetry, seven novels, and three works of creative non-fiction. Her most recent works are The Evening Chorus (HarperCollins, 2015) and The River (ECW Press, 2015). She lives in Kingston, Ontario, where she is also the city’s Poet Laureate.

Anita Lahey is a poet, journalist, reviewer, and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award.

Molly Peacock is a widely anthologized poet who writes biography, memoir, and fiction. Her newest work is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka. She is also the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72, both from McClelland and Stewart. Her forthcoming book of poetry is The Analyst, poems about psychoanalysis, poetry and painting, from W.W. Norton and Biblioasis. She is the subject of Jason Guriel’s monograph, Molly Peacock: A Critical Introduction.

BCP 2016 poets:

James Arthur • Joelle Barron • Hugo Beauchemin-Lachapelle (translated by Alexander Rock) • andrea bennett • Sheri Benning • Tim Bowling • Julie Bruck • Suzanne Buffam • Dani Couture • Lynn Crosbie • Kayla Czaga • Dorothy Field • Kim Fu • Michelle Good • Laurie D. Graham • Jane Eaton Hamilton • Steven Heighton • Jason Heroux • Gerald Hill • Amber Homeniuk • Maureen Hynes • Sally Ito • Amanda Jernigan • Kate Kennedy • M. Travis Lane • Jeff Latosik • Evelyn Lau • Randy Lundy  • Sneha Madhavan-Reese • Lee Maracle • Stephen Maude • Cassidy McFadzean • David McGimpsey • Steve McOrmond • A.F. Moritz • Hoa Nguyen • Elise Partridge • Matt Rader • Rachel Rose • Armand Garnet Ruffo • Douglas Burnet Smith • Kilby Smith-McGregor • Karen Solie • John Steffler • Kate Sutherland • Sylvia Symons • John Terpstra • Souvankham Thammavongsa • Nick Thran • Tara-Michelle Ziniuk

 

Posted in Anthologies, B, Best Canadian Poetry, Fall 2016, Poetry, Uncategorized | Tagged , , , , |

Dopamine Blunder-Lori Cayer

Dopamine Cover

ISBN: 9781988040059

PRICE: $19.95




Dopamine Blunder is a gutsy examination of happiness and what it means to be happy. In her astounding third poetry collection, Lori Cayer takes on the juggernaut role of steward of human nature and subsequently explodes the myth of happiness through a multi-faceted lens of anthropology, socio-biology, sociology, psychology, archaeology, medicine and philosophy. Hinging on erasure and found material, Dopamine Blunder investigates these fundamental questions as our millennium unfolds with equal uncertainty and trepidation.

“Lori Cayer’s Dopamine Blunder peels back one layer of happiness after another, right down to the neuro-transmitters. Not far from the circuitry of addiction, and twitchy with the irradiated secrets of love, these poems move through their own hierarchy of needs to an acceptance that is far from transcendent but very much of this world. Full of spiny regrets and forest balms, they are also full of laundry. After all, ‘it looks like someone lives here’. And for this, as for so much else in this fine new book, we should count our ragged blessings.”—Monty Reid, author of Meditatio Placentae and The Luskville Reductions

Dopamine Blunder? Here is a poetry in which algorithms inform rhythms and sense trades bons mots with nonsense. Lori Cayer knows that ‘happiness’ is an equation that spells out a comfy reality.  The poet articulates the antics of language, so that abstractions seem as sensual as the physical–and vice versa. The poet appreciates that words tend away ‘from our singular hands / our rhetorical happenings sent / from the gift economy, received at the door like / on-line orders.’ In Cayer’s vision, a diamond is ‘a light scissor, bright fossil, a hole of gravity.’ Her poems are odes to metaphysical perception.”—George Elliott Clarke, 7th Parliamentary Poet Laureate

“Cayer looks at what it means to emote, to feel, and to strive to recreate those moments of happiness… a complex collection that requires rumination and exploration beyond the page into the self and the world around us.” Serena Augosto-Cox, Savvy Verse and Wit

“One of the tropes of this collection is ‘If you want to be happy, be’… Compositions move from last line to first… The poet is subversive throughout.”—Anne Burke, poets.ca

“There is much to love in Dopamine Blunder… Readers that lean toward the lyrical will find enough to feed on, and those that prefer the conceptual will be just as pleased, as Cayer’s poems manage to bridge the neural gap between the two forms effortlessly.”—Al Rempel, Arc Poetry Magazine

Photo by Jody Hudey

Photo by Jody Hudey

Lori Cayer is the author of two volumes of poetry: Stealing Mercury and Attenuations of Force. She is a former co-editor for Contemporary Verse 2 and is co-founder of the Lansdowne Prize for Poetry/Prix Lansdowne de poésie. She has previously served as the Manitoba rep for the League of Canadian Poets and currently sits as secretary on the League’s National Council.

 

Posted in D, Poetry, Spring 2016, Uncategorized | Tagged , , , , , , , , , , |

Tomorrow’s Bright White Light-Jan Conn

ISBN: 9781988040141

PRICE: $19.95


 

TWBL cover

Acclaimed poet Jan Conn’s latest book, Tomorrow’s Bright White Light, offers poems as phenomenological guides to an approximation of a future “truth.” The collection includes poems about odd, secretive childhood events and poems that visit the badlands of adolescence from both male and female viewpoints. Some poems deal with the struggles of contemporary life in its many guises, while others derive from Conn’s time in Latin America. Obvious or not, all of the poems in this stunning collection are linked, creating a personal mosaic of the poet’s many lives and experiences.

‘“I want to be both noun and verb.’ By the time that desire gets expressed, by one speaker in one poem near the end of Jan Conn’s new book, Tomorrow’s Bright White Light, the reader has seen it fulfilled by the collection as a whole. Conn’s poetry is fully noun and fully verb, picking out very particular things doing very particular things: varnished cotton bags carrying water, termites crawling upward into clothes, screen doors collecting an eclipse of moths, polar bears crunching over crackled ice. In this extraordinary work, being and doing merge.”—H. L. Hix, author of Incident Light and Legible Heavens

“Any reader of Jan Conn will be made aware of her philosophical voice which she seamlessly blends with her poetry, dexterously heightened by scientific language or heightened diction… As poet, she experiences altered states, the internal floats, a dislocation of time and space, multiple places, shifting shapes and mixing metaphors… the qualities of a dream.”—Anne Burke, poets.ca

“The humanity and vulnerability of Conn’s voice, which shows itself in controlled glimpses, is one that measures its surroundings, and finds hope in that place where two modes of attention, objectivity and sensitivity to beauty, meet each other with profound respect.”—Sonnet L’Abbé, Malahat Review

“Future-oriented, even hopeful poetics… Conn’s work is timely in its depictions of political precarity as well as environmental collapse… poems muster their details to paint almost ekphrastic scenes through Conn’s always masterful diction.”—Lise Gaston, Arc Poetry

Photo by Carl Schlichting

Photo by Carl Schlichting

Canadian poet Jan Conn was brought up in southeastern Quebec. She now lives in Great Barrington, Massachusetts and is a professor of Biomedical Sciences whose research is focused on the genetics and ecology of mosquitoes. She has published eight previous books of poetry, most recently Botero’s Beautiful Horses and Edge Effects.

Posted in Poetry, Spring 2016, T, Uncategorized | Tagged , , , , , , , , , , , |

Tourist-Lara Bozabalian

Tourist CoverISBN: 9781988040066
Price: $19.95




Opening with an aubade for the labyrinthian corners of Bombay’s largest slum, Tourist is a collection that is unafraid of shadows, and aims to unearth the unseen. Set across time and landscape—modern day Michigan, 1970’s Cambodia, WWI England, the kaleidoscopic mindscape of an Alzheimer patient—these poems draw us into lives that, initially, seem foreign, yet provoke our solidarity in the face of disorientation—a boy facing his first bankruptcy, an elephant facing destruction at the hands of poachers. The book culminates in ‘Beethoven Walks’, an elegiac war cry from a man who wades in and out of darkness like a modern day Odysseus, and the churning resilience that sets him free.

“Wakefulness is poet Lara Bozabalian’s traveling companion in her new collection, Tourist. Her lines are long with an inviting tendency to wander. Her similes are startling, her descriptions dressed to kill.”—Barry Dempster, author of The Burning Alphabet and Disturbing the Buddha

“With its lush imagery and eye for resonant detail, its rhythm born from Lara’s rich history in spoken word and performance, Tourist will more than satisfy your literary wanderlust.”—Carolyn Smart, author of Hooked and Careen

“Bozabalian’s travels, both geographical and imaginative, make for compelling reading. A refreshingly assured and original book.”—Alexandra Oliver, author of Meeting the Tormentors in Safeway and Let the Empire Down

“Lara Bozabalian is a poet with a deft understanding of emotional and physical distance. Wherever she places her readers in time or place, she is reliably available as an earnest, expansive guide. Tourist is full of curious, public-hearted poems.”—Jacob McArthur Mooney, author of Folk and Don’t Be Interesting

“Channelling Escher the artist/architect and his intricate alleyway… expresses hidden emotions… by means of a kaleidoscope.” Anne Burke, poets.ca

“There is something about Lara’s writing that is magical to me.”—goodreads.com

Lara Bozabalian author photo

Photo by Alysia Dobie

Lara Bozabalian is an award-winning writer, and author of the bestselling collection of poetry, The Cartographer’s Skin. In both 2014 and 2015, Lara was named Toronto’s Best Poet in the Now Magazine Best of Toronto Poll. She has featured at TEDxIB and lectured, workshopped, and performed her work at several Canadian universities.

 

 

Posted in Poetry, Spring 2016, T, Uncategorized | Tagged , , , , , , , , , |

To Greet Yourself Arriving-Michael Fraser

To Greet Yourself WebISBN: 9781988040042
Price: $19.95

To Greet Yourself Arriving pays tribute to inspirational and illustrious figures throughout black history. A wide range of individuals such as activists, artists, and athletes are showcased in Michael Fraser’s powerful poetic portraits—Rosa Parks, Barack Obama, Harriet Tubman, Oscar Peterson, Oprah Winfrey, Jean-Michel Basquiat, and P.K. Subban. In his foreword to this groundbreaking collection, Canadian Parliamentary Poet Laureate George Elliott Clarke writes, “Fraser gives us characters who, even if tortured by their experiences of “race” and/or racism, win through to a stardom that edges into heroism…”

 Praise for Michael Fraser’s work

“A new, exciting voice has emerged in Canada’s poetry scene. The poet blends his unique heritage—birth in Grenada, boyhood in Edmonton and teaching high school in Toronto—with an unerring eye and ear for contrast and detail. All of Fraser’s lines crackle with an energy fuelled by deep empathy and the ability to take language to the edge.”—Canadian Bookseller Magazine

 Praise for To Greet Yourself Arriving

“Fraser doesn’t just show his subjects with scars and flaws, gold stars and halos, but almost always with a generous, cinematic light.”–George Elliott Clarke, Canadian Parliamentary Poet Laureate and author of Whylah Falls

“The poems are revelatory, educative, and inspirational. They tell (or retell differently) stories of heroes—some admired, loved; but many unsung, forgotten… That this is a historically significant book is evident on every page.”—Mayank Bhatt, Generally About Books

“Fraser’s poetry provides rich pieces to share and consider. This is a collection that teachers should be teaching across the country.” —Jael Richardson, Toronto Star

“The poems in Fraser’s To Greet Yourself Arriving stand fiercely on their own as poems, tight and clear and clean, but as a chorus this book raises itself to a beautiful black sound.”—Michael Dennis, Today’s Book of Poetry

fraser pic

Photo by Krystyna Wesolowska

Michael Fraser is a Toronto high school teacher, poet, and writer. He has been published in various national and international journals and anthologies, including The Best Canadian Poetry in English, 2013. His manuscript, The Serenity of Stone, won the 2007 Canadian Aid Literary Award Contest and was published in 2008 by Bookland Press. He won the 2016 CBC Poetry Prize and was also the winner of  FreeFall‘s 2014 and 2015 poetry contests, Michael is the creator and former director of the Plasticine Poetry Series.

Posted in G, Poetry, Spring 2016, Uncategorized | Tagged , , , , , , , , , , , , , |

Democratic Beauties—Glen Downie

 

PrintISBN: 9781926639918

PRICE: $19.95—special sale price save $5!





How do we find our way back through the labyrinth, through the dark forest? With a thread, with a trail of breadcrumbs? Glen Downie traces a path back to the now dimly remembered pre-digital age using a ribbon—a typewriter ribbon. What was once a fishing line to the future now sits nestled in its decorated tin among other flea market finds, a remnant of an obsolete technology. In Democratic Beauties, a book of poetic and imaginative criticism with colour images, Downie sifts through the detritus of our rapidly changing consumer culture and decodes, for its surprisingly contemporary relevance, much that has already become perplexing and mysterious. In an uncommon blend of the lyric, the narrative and the visual, Downie invites consideration of what old tins, labels, and bits of found text tell us about women in the workforce, our relationship to technology, the values of Business Mind, and that which utility cannot long ignore—beauty.

Praise for Glen Downie’s Poetry

LOCAL NEWS (2011): Jangling with surreal vibrancy and suffused with a sinister edginess, many of these poems have a sting in the tail. … an insightful psychological intelligence runs through the book. … a fascinating collection—funny, dark, conflicted. —Miranda Pearson, Event

LEFT FOR RIGHT (2012): A “cabinet of mysteries” is … on display in Glen Downie’s Left for Right… Some of those mysteries are bizarre and surrealistic, while others are grounded in the familiar, seen in a fanciful light. … Downie’s lyric voice hits all the right notes in this accomplished, wide-ranging collection.—Barb Carey, Toronto Star

glen_downieGlen Downie was born in Winnipeg, worked in cancer care for many years in Vancouver, and now lives in Toronto. In 1999, he served as Writer-in-Residence at Dalhousie University’s Medical Humanities Program. He has published several collections of poetry including Loyalty Management, which won the 2008 Toronto Book Award. His most recent books are Monkey Soap and Left for Right. glendownie.com

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The Best Canadian Poetry in English, 2015

9781926639932 new copyISBN: 9781926639932

PRICE: $17.95—special sale price!




Jacob McArthur Mooney, this eighth edition of Canada’s vibrant yearly anthology features the fifty finest Canadian poems published during 2014. The Best Canadian Poetry series, which thrives under the stewardship of acclaimed series editor Molly Peacock and assistant editor Anita Lahey, ushers readers into the heart of the diverse Canadian poetry scene. A must-read for anyone with a stake or interest in contemporary Canadian literature.

“No matter what your tastes, there are some poems here you’ll really like… The wide range of writers, forms and themes represented here make it a great jumping-off point for readers who might be interested in Canadian poetry but are unsure about where to start.”—Emma Healey, Globe and Mail

“The Best Canadian Poetry series offers an annual glimpse of poetry published across Canada, complete with a diverse sampling of voices and experiences that may be appreciated beyond borders.”—Lori A. May, examiner.com

“Readers will find this edition replete with new and memorable verses that will welcome them into the wilds of poetry.”—Publishers Weekly

Jacob McArthur Mooney’s second collection, Folk (McClelland & Stewart, 2011), was nominated for the Trillium Book Award in Poetry and the Dylan Thomas Prize. Work from his forthcoming third collection (M&S, 2016) has been shortlisted for a National Magazine Award, won the Arc Magazine Poem of the Year and Prairie Fire Bliss Carman Awards, and been included in the 2012 and 2013 editions of Best Canadian Poetry in English. He lives with his wife and son in Toronto where he hosts and co-directs the Pivot Reading Series.

Anita Lahey is a poet, journalist, reviewer and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award. Anita is a former editor of Arc Poetry Magazine, and posts occasionally on her blog, Henrietta & Me: People and other wonders found in books.

Molly Peacock is a widely anthologized poet who writes biography, memoir, and fiction. Her newest work is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka. She is also the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72. Her latest book of poetry is The Second Blush (all from McClelland and Stewart). Her poetry is the subject of Jason Guriel’s monograph, Molly Peacock: A Critical Introduction (Story Line Press, 2014).

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The Kingdom and After—Megan Fernandes

ISBN: 9781926639802

Price: $15.95—special sale price!




The Kingdom and After charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. Sometimes written in frank, shrunken lines and other times exploding with surrealist, jurassic imagery, the poems witness an associative mind leaping from bone temples in Tanga to the pumiced surface of extraterrestrial oceans, from a panic attack in Mumbai to the tumbling spirits of the Big Sur coastline.

“‘Am I accountable for these histories?’ writes Megan Fernandes in her memorable poem ‘Archives.’ Yes and no—her fresh, embracing imagination attends to several continents, many languages and cultures, with the originality of one who looks at a piano from below, seeing the ‘woody spirit of the instrument,’ its cavern and brackets, attentive to the sound of ‘the chimptas, fire gongs with bells’ and ‘the swampy Goa.’ (‘The Piano and the Ivy.’ ) A book of pleasures, wild inventions and profound clarity.”—Robert Pinsky, Poet Laureate of the United States (1997-2000)

“In these limpid poems, Megan Fernandes finds her way back to roots and origins, even as she charts our many topographical, dreamed, amatory, and atomic detours. ‘Touch everything,’ she entreats, ‘Tell me about the broken terrain.’ It is the poem’s job to graph and weave from here to there and back again, and this she does, returning with much-needed news of our follies and fortunes.”—Eleni Sikelianos, author of Body Clock and The California Poem

“The Kingdom and After greets us with a mysterious and worldly look inside Fernandes’ personal timeline… Her characters are sentimental, melancholic at times, and ask us to slow down, to absorb into shades of yellow and green, and to befriend unsolicited ghosts. It is impossible for us, as readers, to dismiss the power behind Megan Fernandes’ stories.”—Alyse Richmond, Coal Hill Review

“The poems are surely thought provoking as they render a patchwork of time, space, histories, psychology, communities and intimacy… you’ll certainly want the poems to sit by you for long.”—Linda Ashok, The Rumpus

“Fernandes creates moments of bliss… She’s taken time to imagine new ways of navigating broken and layered terrains, and I would highly recommend it.”—Naomi B, Broken Pencil

“Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricate placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.”—Nav Nagra, Room

Megan Fernandes photoMegan Fernandes is the poetry editor of the anthology Strangers in Paris and the author of two chapbooks of poetry: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming with Black Lawrence Press, the Boston Review, Rattle, Guernica, Memorious, and Redivider, among others. She earned her PhD in English from the University of California, Santa Barbara, and her MFA in poetry from Boston University. Currently, she teaches at Lafayette College.

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Ghost Sick—Emily Pohl-Weary

ISBN: 9781926639826

PRICE: $14.95—special sale price!

Winner of the 2016 Fred Cogswell Award for Excellence in Poetry!





When a Christmas Eve shooting devastated Emily Pohl-Weary’s community, she began to hunt through the numbness and grief for some understanding and hopefulness about the future. In the tradition of Carolyn Forché, Ernesto Cardenal, and Shu Ting, Ghost Sick is a poetry of witness. It chronicles the impact of violence on an inner-city Toronto neighbourhood, the power of empathy, and the resilience of the human spirit.

“A hard, sad, and beautifully necessary collection of poems. A book that helps us claw our way back from the edges of our own teetering lives.”—Susan Musgrave, author of A Man to Marry, A Man to Bury

“Ghost Sick focuses on violence and its personal cost in a Toronto neighbourhood, starting from the writer’s childhood to the present, the wasted lives, the pain and loss of her own and those of people dear to her.”—Marge Piercy, New York Times bestselling author of Gone to Soldiers

“These are not easy poems to forget, so take a deep breath, and plunge right in. The world will not look the same when you re-emerge, but the rewards are immense: you come away from these poems open to possibility, hopeful for change, and knowing you are not alone in that struggle.”—Carolyn Smart, author of Hooked

“Pohl-Weary’s gritty vernacular got game, got street cred. Like Holocaust witness poet Paul Celan, Pohl-Weary checks tabloids, billboards, newsflashes, for the language to bespeak domesticated violence.”—George Elliot Clarke, Halifax Chronicle-Herald

“The poems in Ghost Sick coalesce into a very strong, coherent collection that should be read from cover to cover . . . this is a book that looks forward towards a better city, better citizens, and a better society.” —Andrew Woodrow-Butcher, Broken Pencil

“Ghost Sick takes your breath away and leaves you wanting more. A great read that makes you think about what it means to bear witness to tragedy.”—Christine Smith (McFarlane), Shameless Magazine

“A nuanced, wrenching and ultimately heart-opening poetry collection that took eight years to write—nearly a decade of trying to grapple with the shooting death of a young man in her Parkdale neighbourhood.” —Yukon News

Ghost Sick by Emily Pohl-Weary is a collection of poems that witness. They are testimony, commentary, and emotional responses to the crime, drugs, loss of innocence and more in a Toronto neighborhood and other places where lives are wasted and lost too easily.”—Serena Agusto-Cox, Savvy Verse and Wit

Emily Pohl-Weary is an award-winning author, editor, arts educator, and academic. She is the author of several books, including the emily-pohl-wearynovels A Girl Like Sugar and Strange Times at Western High; the young adult novel Not Your Ordinary Wolf Girl; the poetry collection Iron-on Constellations; and the biography Better to Have Loved: The Life of Judith Merril, which won a Hugo Award for Best Related Book.

Posted in Award Nominees & Winners, emilypw, G, Poetry, poetrysale, special holiday sale, spring 2015, Valentine Sale, Winter 2015 | Tagged , , , , , , , , , , , , , , |

The Best Canadian Poetry in English, 2014

 

ISBN: 978-1926639833

PRICE: $17.95 – special sale price!




Continuing in a long-established tradition of poetry excellence, the fifty poems in this seventh annual collection are culled from Canadian literary magazines and journals. Sonnet L’Abbe’s handpicked selections include the best, and most current, representations of the vibrant Canadian poetry scene. This distinguished volume includes poets John Barton, Marilyn Bowering, Nicole Brossard, Jan Conn, George Elliott Clarke, Jason Guriel, Sue Goyette, Don McKay, Susan Musgrave,  Michael Ondaatje, Carmine Starnino, Karen Solie and many more.

“No matter what your tastes, there are some poems here you’ll really like… L’Abbé has done impressive work. ”—The Globe and Mail

The Best Canadian Poetry represents notable poems published in years past, but it also reminds us of all the goings-on in literary culture across a nation”—Lori A. May, Poets Quarterly

Guest editor Sonnet L’Abbé, Ph.D. is the author of two collections of poetry, A Strange Relief and Killarnoe, both published by McClelland and Stewart. She was the 2017StartsNow! Artist-in-Motion in 2013. She is now at work on Sentient Mental Flower Book and Sonnet’s Shakespeare, her third and fourth collections of poems, and on a book about the plant-mind metaphors in the work of American poet Ronald Johnson. L’Abbé has reviewed fiction and poetry for the Globe and Mail, and has taught writing at the University of Toronto School of Continuing Studies and at the University of British Columbia. She will be the 2015 Edna Staebler Writer-In-Residence at Wilfrid Laurier University.

Assistant series editor Anita Lahey is a poet, journalist, reviewer and essayist. She is the author of The Mystery Shopping Cart: Essays on Poetry and Culture (Palimpsest Press, 2013) and of two Véhicule Press poetry collections: Out to Dry in Cape Breton (2006) and Spinning Side Kick (2011). The former was shortlisted for the Trillium Book Award for Poetry and the Ottawa Book Award. Anita is a former editor of Arc Poetry Magazine.

Series editor Molly Peacock is a widely anthologized poet who writes biography, memoir and fiction. Her newest work is Alphabetique: 26 Characteristic Fictions, with illustrations by Kara Kosaka. She is also the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72. Her latest book of poetry is The Second Blush (all from McClelland and Stewart). Her poetry is the subject of Jason Guriel’s recent monograph Molly Peacock: A Critical Introduction (Story Line, 2014).

Posted in 2014, Anthologies, B, BCPSALE, Best Canadian Poetry, Catalogue, Fall 2014, Poetry | Tagged , , , , , , |

The Uncertainty Principle-Roxanna Bennett

The Uncertainty Principle coverISBN: 9781926639772
Price: $15.95—special sale price!




Roxanna Bennett’s debut collection of precisely crafted poems examines connection and consequence. The poems in The Uncertainty Principle reveal the aftermath of events both at an atomic and human scale, from the domestic intimacy of a dysfunctional family to the wreckage of an atom bomb.

“Just shattering. At times hard to credit or place within the realm of the real. One gets the sense that, had these poems’ formal shapes not been forged from iron, quarried from the bedrock of unblinkered self-knowledge and unbounded love, they would simply detonate. The world is rooted in its own violence, and so births violence in endless cycles. Roxanna Bennett’s work bears the mark of a beauty equal to that brutality. The Uncertainty Principle will rearrange you as you move through it.”— Ken Babstock, author of  Methodist Hatchet

 “Bennett’s lines navigate daringly around and through the lexical boundaries of the diagnostic to ‘breathe the rich air’ before the darkened playground and crumbling towers of this world.” —David McGimpsey, author of LilBastard

“Roxanna Bennett’s debut poetry collection The Uncertainty Principle is a solitary basket of trinkets and memory souvenirs exposed through solemn confession—inviting you to participate in its unrealized possibilities, the magnetic imagining of a mystical mind.” —Julie Mannell, Matrix

“The Uncertainty Principle breathes, lives, and lingers… Every one of Bennett’s words is a rebirth: violent, miraculous, and beautiful.”—Contemporary Verse 2 Magazine

“… a nuanced, complex emotional landscape that leaves me excited about where Bennett’s voice will take her after this effective and affecting debut.”—Brecken Hancock, Arc

Roxanna Bennett studied experimental arts at the Ontario College of Art and Design and creative writing at the University of Toronto. She lives in Whitby, Ontario.

Posted in 2014, Catalogue, Poetry, poetrysale, Summer 2014, u, Uncategorized | Tagged , , , , , |

In the Museum of Leonardo da Vinci-Jeffrey Round

Da Vinci CoverISBN: 9781926639789
PRICE: $12.95 – special sale price!
Shortlisted for the 2015 ReLit Award!




Divided into “exhibitions” corresponding roughly to various rooms in the Leonardo da Vinci Museum in Milan, this stunning poetry collection explores the legacy of da Vinci’s inventive imagination in various areas, such as war, medicine, sound, and aviation. The poems reflect how the 20th century was shaped by da Vinci’s work and theories, which are still being explored today.

“Jeffrey Round asks a big question: ‘What does infinity know?’ In a poetry collection with da Vinci at its core, themes of invention dovetail with themes of memory and loss.”—Jim Nason, author of Narcissus Unfolding

“There is food for thought throughout this collection.”—Amos Lassen, reviewsbyamoslassen.com

“Poetry requires a light touch, of knowing what to leave out, what not to over-explain. Jeffrey’s poems are easy to read, but not simple… a classy book of poetry.”—Paul Bellini, mygaytoronto.com

Jeffrey Round is an award-winning writer, director, and playwright. He is the author of A Cage of Bones, The Honey Locust,  The P-town Murders and the Lambda Award-winning Lake on the Mountain. He founded a multimedia theater company, Best Boys Productions, and his full-length stage play, Zebra, won the Gay and Lesbian Appeal’s “Right to Privacy Award” and was nominated for a Pink Trillium for Best Play. He founded the Church-Wellesley Review, Canada’s first print journal for LGBT creative writing. He lives in Toronto.

Posted in 2014, Award Nominees & Winners, Catalogue, I, M, Poetry, poetrysale, Pride Sale, ReLit, special holiday sale, Summer 2014, Uncategorized, Valentine Sale | Tagged , , , , , , |

Teacher’s Pets-Crystal Hurdle

ISBN: 9781926639765
Price: $12.95 special sale price
Pub date: 2014




Thought provoking, sexy, edgy, and affecting, Teacher’s Pets explores what happens along the line that should not be crossed. Join a group of Venturers, a Wilderness Training school group, on their treks into the great outdoors of supernatural British Columbia and the mysteries of love and loss. Told in a series of free-verse poems from a lively crew of characters, interspersed with student assignments and the comments on them, discussions in and out of the classroom, journal entries, report cards, lists, and horoscopes, this book will engage both older teens and adults readers alike.

“Fearless and bold, Crystal Hurdle’s witty, multivocal novel in verse reads like a cross between Judy Blume and Into the Wild, with a dash of Gilbert and Sullivan thrown in.”—Cathy Stonehouse, author of Grace Shiver

“The collection reads like a play, resonates like poetry, and is as absorbing as a novel.”—Morgan Kelly, author of Midnight in Your Arms

“Unwavering and unsettling, these poems sometimes lift towards the lyrical, but just as often glory in the gutter. Always aware of the ambiguity, Hurdle creates a kind of music, wrung with care, from loves at once ordinary, but in their telling, something more.”—Anne Stone, author of Delible

“This poetry is a mash-up of Vladimir Nabokov’s Lolita and and Peggy Atwood’s Journals of Susanna Moodie… Hurdle knows her stuff. Teacher’s Pets is a Grade A accomplishment.”—George Elliott Clarke, Chronicle-Herald

“This is a mock epic with an anti-heroine who faces the battle of adolescence.” —Anne Burke, poets.ca

“Hurdle manages to make a difficult subject accessible for readers . . . A series of poems, student assignments, and report cards, the story flows from one page to the next, through the different narrator’s voices.” —Jaclyn McLean, Resource Links

I read this in a single night. Engaging, heartrending, disturbing.“—goodreads.com

Crystal Hurdle teaches English and creative writing at Capilano University in North Vancouver. She is the author of the poetry collection After Ted & Sylvia and her poetry and prose has been published in many journals, including Bogg, Canadian Literature, the Dalhousie Review, Event, Fireweed, and the Literary Review of Canada.

Posted in 2014, Catalogue, Poetry, Summer 2014, T, Teen Titles, Uncategorized, young adult | Tagged , , , , , , , , , , , , , |

MUSE-DAWN KRESAN

ISBN: 9781926639642
Price: $16.95
Pub date: 2013




Beginning with an epigraph by Robert Graves, which asserts that “woman is muse or she is nothing,” the poems in Muse explore the concepts of influence, creativity, and gender by evoking the tragic figure of Elizabeth Siddal. As a model, then pupil, she married the Pre-Raphaelite artist Dante Gabriel Rossetti, and although an artist and poet in her own right, Siddal is best known as a Victorian muse and the inspiration for her husband’s paintings. In sensual and evocative language, Dawn Marie Kresan shifts voices and perspectives, from Siddal’s loss and heartbreak over her stillborn daughter to the poet’s lighthearted reproach of artist William Holman Hunt’s depiction of the Lady of Shalott.

“This is tremendously moving poetry, and Muse is an impressive debut.”–Angie Abdou, author of The Bone Cage

“I adored this inventive collection of poems, with its shifting perspectives and use of multiple voices. I urge you to snap up a copy”—Stephanie Pina, preraphaelitesisterhood.com

“A powerful poetry collection in which inspiration takes center stage as the narrator examines the relationship between the muse and an artist.”—Serena Agusto-Cox, savvyverseandwit.com

“Amusing as it is intelligent”—Michael Dennis, michaeldennispoet.blogspot.ca

“Explores a variety of themes around the concept of being female… written with great skill and sensitivity, exposing the plight of the female in a world run by men.”—Rachel Carney, createdtoread.com

Posted in M, Poetry, Spring 2013, Uncategorized | Tagged , , , , , , , , , , |

Tangle – Julie Cameron Gray

Tangle CoverPRICE:  $14.95—special sale price

ISBN: 9781926639574




Teetering on the brink of longing and the downtrodden, Julie Cameron Gray’s poetic debut explores isolation and the distance between human understanding and human experience. Her poems showcase the relationship between people and their work, urban living and the fringe existence of “wild” animals, the flaws that relationships tend to encompass despite best intentions, and the mysteries inanimate objects hold. Tangle is a verdict, a web of dysfunction, and an alibi.

“Julie Cameron Gray has achieved something crucial, but too rare, in today’s world of rapid change: how to be true to a sense of the new through an energizing sense of continuity with the imaginative richness of the past. . . . If we value zestful continuity as part of an allegiance to exploration and change, Julie Cameron Gray is a poet to watch.”  —Roger Nash, author, Something Blue and Flying Upward

“This is a compact collection of distilled, mature poetry.”—Anne Burke, League of Canadian Poets

“All in all, a delightful read”—goodreads.com

Julie Cameron Gray is the author of the chapbook Coordinating Geometry, and her poetry has appeared in Carousel, Contemporary Verse 2, Event, Fiddlehead, and PRISM International as well as the anthology Best Canadian Poetry in English 2011.

Posted in Catalogue, Poetry, poetrysale, Spring 2013, T, Uncategorized | Tagged , , , , , , |

BEST CANADIAN POETRY IN ENGLISH, 2013

Best Canadian Poetry 2013 CoverISBN: 9781926639666
PRICE: $14.95 – special sale price!




Continuing in a long-established tradition of poetry excellence, the fifty poems in this sixth annual collection are culled from Canadian literary magazines and journals. Sue Goyette’s handpicked selections include the best, and most current, representations of the vibrant Canadian poetry scene. This distinguished volume includes contemporary poets Anne Carson, Anne Compton, Lorna Crozier, Mary Dalton, Michael Fraser, M. Travis Lane, Patrick Lane, Jacob McArthur Mooney, Jane Munro, Ruth Roach Pierson, Elizabeth Ross, Karen Solie, Sue Sinclair, John Steffler, Matthew Tierney, Fred Wah, and many more.

“A big, full flavour on each and every page of this satisfying anthology”—Lori May, Poets’ Quarterly

The Best Canadian Poetry 2013 surveys the Canadian stream and finds it verdant and splendid.”—Michael Dennis, The Dennis Blog

“Wonderful intro essays”—goodreads.com

Sue Goyette is the author of the poetry collections Ocean, Outskirts, The True Names of Birds, and Undone as well as the novel Lures. She won the 2008 CBC Literary Prize for Poetry, the 2010 Earle Birney Prize, the 2011 Bliss Carman Award, the 2012 Pat Lowther Award, and the 2012 Atlantic Poetry Prize. She teaches in the creative writing program at Dalhousie University and lives in Halifax, Nova Scotia.

Molly PeacockMolly Peacock is a widely anthologized poet and creative nonfiction writer. Her latest work of nonfiction is The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72, and her most recent collection of poetry is The Second Blush. A contributing editor of the Literary Review of Canada, she inaugurated The Best Canadian Poetry in English in 2008 and continues to serve as the series editor. She lives in Toronto.

 

Posted in Anthologies, B, BCPSALE, Best Canadian Poetry, Fall 2013, Poetry, Uncategorized | Tagged , , , |

Come Late to the Love of Birds – Sandra Kasturi

Come Late to the Love of BirdsISBN: 9781926639505

Price: $14.95—special sale price!

3rd place winner—2013 Elgin Awards/2013 Rhysling Award Nominee




Sandra’s first collection, The Animal Bridegroom featured an introduction by Neil Gaiman and has sold out. This collection expands on her themes of abject romances, deformed fairy tales gone and the astonishing delights of life in glorious 21st century. Her latest poetry book fuses nature’s continuous emotional offerings, our desire to understand ourselves with our passion to be free, devoid of the burden of modern thought.
Sandra Kasturi

Sandra Kasturi is a writer, publisher, book reviewer and Bram Stoker Award-winning editor. She is the co-owner with her husband, writer and publisher Brett Alexander Savory, of the World Fantasy Award-nominated press, ChiZine Publications. She managed to snag an introduction from Neil Gaiman for her previous poetry collection, The Animal Bridegroom.

Praise for Come Late to the Love of Birds

“Beautiful poems in a jewel box of a collection. You should slow down and take the time to read it.”—Madeline Ashby, author of Company Town 

“Her words are imbued with complexity, multiplicity, and a deep interplay of meanings. Her poetic art is simultaneously completely natural and wholly transcendent.”—Derek Newman-Stille, Speculating Canada

“Stunning turns of phrases”—Diane Severson, Amazing Stories

“Wondrous and lively, full of wit and cunning, and utterly beautiful with each verse and turn of phrase.”—Serena Agusto-Cox, Savvy Verse and Wit

“Kasturi catapults her readers into a parallel universe where dreams shape reality. Beware! She’s a powerful trickster who infuses the everyday with beauty, lust, changelings and not-so-benevolent magic.”—Emily Pohl-Weary, author of Not Your Ordinary Wolf Girl

“Sandra Kasturi’s poetry collection, Come Late to the Love of Birds, is a dazzling journey through a mind awake, an eye alive, and a voice remarkably adept. There is great music here, and magic, and many impossible things you didn’t believe before you read them.”—Patrick O’Leary, author of The Gift and The Black Heart

“Sandra Kasturi’s poems in Come Late to the Love of Birds manage to have both the charm of a particularly beautiful and bright child, while at the same time the grinning bite of a bad seed. A sympathy for roasting birds, a send-up of mythology, the haunted dignity of a hawk—everything she writes has a touch of melancholy about it, but it’s the toy melancholy of the curious and optimistic. How I’d love to be a subject in her world. These poetic tales are funny, absurd, sad, portentous, and completely brilliant. I shall look twice when I next see a bird. I too, have come late to the love of birds—but now I adore them.”—Susie Moloney, author of A Dry Spell and The Thirteen

Praise for The Animal Bridegroom

The Animal Bridegroom is a wonderful showcase for Sandra Kasturi’s work—she has a lot to say and hundreds of ways to say it. Filled with poetry of sheer, spinning invention and genuine passion, none of it comfortable or conventional, this long-awaited book is a genuine pleasure to read.”—Peter Straub, author of A Dark Matter and Mrs. God

“Sandra Kasturi’s magical poems transform the ordinary into the surreal and exotic.”—Phyllis Gotlieb, author of Birthstones and Red Blood, Black Ink, White Paper

Posted in Award Nominees & Winners, C, Catalogue, Fall 2012, Poetry, poetrysale | Tagged , , , , , , , , , , , , , |

Best Canadian Poetry 2012

Best Canadian PoetryISBN 9781926639550
Price: $14.95 special sale!




Continuing in a long-established tradition of poetry excellence, this collection of 50 poems is culled from Canadian literary magazines and journals. The handpicked selection includes the best, and most current, representations of the vibrant Canadian poetry scene. This distinguished volume offers both a convenient introduction to contemporary poets in Canada and a collectible yearbook for seasoned poetry readers, distilled by the esteemed editorial tastes of a new guest editor and an accomplished poetry editor.

“A magnet, I think, for the many people who would like to know contemporary poetry”—A.F. Moritz, Griffin Poetry Prize winner

“From traditional verse to prose poems, from tight couplets to drawn out block stanzas, inclusive of free verse and the occasional rhyme, the selections of The Best Canadian Poetry in English 2012 are vast and varied, complex and delightful, and representative of the multi-faceted voices arising coast to coast.”—Lori A. May, Lonely Offices

“A remarkable collection of poems from some of Canada’s best poets”—goodreads.com

Molly PeacockMolly Peacock, a poet and a creative nonfiction writer, is the author of The Paper Garden: Mrs. Delany Begins Her Life’s Work at 72 (2010) and six books of poetry, including The Second Blush (2008) and Cornucopia: New & Selected Poems (2002). Among her other works are a memoir called Paradise, Piece By Piece (1998). She is the co-editor of Poetry in Motion: One Hundred Poems from the Subways and Buses (1996).

Carmine StarninoCarmine Starnino has published four critically acclaimed volumes of poetry, including This Way Out (2009), which was nominated for the Governor General’s Award.  His other books include A Lover’s Quarrel (2004), a collection of reviews and essays, and The New Canon: An Anthology of Canadian Poetry (2005), which he edited. His most recent book is Lazy Bastardism: Essays and Reviews on Contemporary Poetry (2012). Starnino lives in Montreal, where he is poetry editor for Vehicule Press.

 

Posted in Anthologies, B, BCPSALE, Best Canadian Poetry, Catalogue, Fall 2012, Poetry, special holiday sale | Tagged , , , , , , , , , |