Beginning with an epigraph by Robert Graves, which asserts that “woman is muse or she is nothing,” the poems in Muse explore the concepts of influence, creativity, and gender by evoking the tragic figure of Elizabeth Siddal. As a model, then pupil, she married the Pre-Raphaelite artist Dante Gabriel Rossetti, and although an artist and poet in her own right, Siddal is best known as a Victorian muse and the inspiration for her husband’s paintings. In sensual and evocative language, Dawn Marie Kresan shifts voices and perspectives, from Siddal’s loss and heartbreak over her stillborn daughter to the poet’s lighthearted reproach of artist William Holman Hunt’s depiction of the Lady of Shalott.
“This is tremendously moving poetry, and Muse is an impressive debut.”–Angie Abdou, author of The Bone Cage
“I adored this inventive collection of poems, with its shifting perspectives and use of multiple voices. I urge you to snap up a copy”—Stephanie Pina, preraphaelitesisterhood.com
“A powerful poetry collection in which inspiration takes center stage as the narrator examines the relationship between the muse and an artist.”—Serena Agusto-Cox, savvyverseandwit.com
“Amusing as it is intelligent”—Michael Dennis, michaeldennispoet.blogspot.ca
“Explores a variety of themes around the concept of being female… written with great skill and sensitivity, exposing the plight of the female in a world run by men.”—Rachel Carney, createdtoread.com
Divided into “exhibitions” corresponding roughly to various rooms in the Leonardo da Vinci Museum in Milan, this stunning poetry collection explores the legacy of da Vinci’s inventive imagination in various areas, such as war, medicine, sound, and aviation. The poems reflect how the 20th century was shaped by da Vinci’s work and theories, which are still being explored today.
“Jeffrey Round asks a big question: ‘What does infinity know?’ In a poetry collection with da Vinci at its core, themes of invention dovetail with themes of memory and loss.”—Jim Nason, author of Narcissus Unfolding
“There is food for thought throughout this collection.”—Amos Lassen, reviewsbyamoslassen.com
“Poetry requires a light touch, of knowing what to leave out, what not to over-explain. Jeffrey’s poems are easy to read, but not simple… a classy book of poetry.”—Paul Bellini, mygaytoronto.com
Jeffrey Round is an award-winning writer, director, and playwright. He is the author of A Cage of Bones, The Honey Locust, The P-town Murders and the Lambda Award-winning Lake on the Mountain. He founded a multimedia theater company, Best Boys Productions, and his full-length stage play, Zebra, won the Gay and Lesbian Appeal’s “Right to Privacy Award” and was nominated for a Pink Trillium for Best Play. He founded the Church-Wellesley Review, Canada’s first print journal for LGBT creative writing. He lives in Toronto.
PRICE: $11.95 sale price!
What has happened to Bret Easton Ellis ego? Why does Ferran Adrià reject the gastronomy its said he invented? Who was the novelist that punched her poet husband in the face? Why is David Sedaris broken in the wrong way? When is it comforting to eat spleen? In Magical Narcissism, award-winning Canadian journalist and critic Shaun Smith investigates all these questions and many others as he pursues his two great loves: books and food.
In dozens of pieces, Smith tackles works by such luminaries as Steve Martin, Joan Didion, Douglas Coupland, Iain Banks, Christopher Hitchens, Heston Blumenthal, Susur Lee, Jennifer McLagan, Bonnie Stern, Jeffrey Steingarten, and A.A. Gill. He takes us to pig roasts in southern Ontario and northern Spain. He wonders why people want books defaced by author autographs. He sings the praises of invention. And he laments a dearth of donuts.
Sometimes caustic, sometimes celebratory, always entertaining, the works in this volume represent the best from fifteen years of writing for such outlets as the The Globe and Mail, Toronto Star, CBC.ca, Quill & Quire, and many others. Books and food are not really so disparate, writes Smith both provide sustenance and, if you’re lucky, gratification, and both can—and in my case usually do—elicit strong opinion.
Shaun Smith is a novelist and award-winning journalist in Toronto, Canada. His young-adult novel Snakes & Ladders was published in 2009. As a journalist he has published hundreds of articles and reviews on books, food and other subjects with such publications as The Globe and Mail, Toronto Star, CBC.ca, Toronto Life, Quill & Quire, Chatelaine, and ELLE Canada. A former chef, he cooked in such noted kitchens as Scaramouche, The Senator, The Rosedale Diner, and David Wood Food Shop. Since 1995 he has worked widely as a book reviewer and publishing commentator, and also as a cookbook columnist, food writer, restaurant critic, and cookbook reviewer. In April 2011, he was inducted as a Fellow into the Ontario Hostelry Institute in recognition of his work as a food writer, book reviewer and commentator. Hervé This is a chemist who works for the Institut National de la Recherche Agronomique at AgroParisTech in Paris, France, whose main area of scientific research is molecular gastronomy. He is the author of numerous scientific publications and several books on the subject.
PRICE: $15.95 special sale price—save $6!
In this compelling anthology of hospital-and medical-industry themed writing, essays explore various topical subjects, including health care, the aged, families, doctors, mortality, fatality, and the growing concern for safety, service, and well-being. Featuring contributors from a wide range of connections to medical drama—patients, loved ones, and providers being the most prominent—this collection will appeal to those in the medical profession as well as patients and their family members.
In the anthology’s foreword, Tabatha Southey writes, “These are travelogues to a land we seldom plan on touring, a land we skirt, but that we must visit and which is in fact extraordinary.” Serious, sad, light, funny, and sometimes all of these at once, the wisdom of these stories will find resonance with practitioners, students, and anyone interacting with the healthcare system.
“With Mess, Devaney and Molenhuis have shone a spotlight where many of us still fear to tread, doing patients an enormous service in illuminating their experiences with the potential of changing our healthcare system for the better, and also creating an emotional and most compelling read.”—Kerry Clare, Pickle Me This
“This book is a rare gem of contemporary scholarship…whether patient, family member or professional, whether scholar or member of the general public: Read this book.”–Kathryn Church, Director of Disability Studies at Ryerson University
Julie Devaney is the author of My Leaky Body. She was named one of the Women Health Heroes by Best Health Magazine in 2011, has received national media attention on CBC’s White Coat Black Art’s “Talking Back” episode, and has been profiled in Abilities Magazine, Chatelaine, and The Toronto Star. She lives in Toronto, Ontario.
Dave Molenhuis is a journalist and the national chairperson of the Canadian Federation of Students. He lives in Ottawa, Ontario.
Longlisted for the 2011 ReLit Award
An unconventional and profound mixed-media poetry collection that blends traditional and avant garde forms to explore remembrance, grief, and mourning. Daniel Scott Tysdal follows up his first award-winning collection of poetry with The Mourner’s Book of Albums, an emotionally striking and formally ambitious exploration of the elegiac tradition and the twenty-first-century attitude to remembrance and grief. Encountering a wide range of arresting events—from a best friend’s suicide to the war in Afghanistan, from improvised memorials to the plastinated corpses of Body Worlds—these innovative poems survey the forces and forms that shape what and how we mourn. The sonically lively lines, the vivid images, and the richly textured voices of the The Mourner’s Book of Albums are composed in a variety of traditional and unconventional forms—the lyric, the ballad, the graphic poem, and the fabricated document, to name a few—as a means of grappling with the many acts and practices that link the living and the dead. Tysdal compiles the albums, however fluid and fragile, that hold them together.
Praise for Predicting the Next Big Advertising Breakthrough Using a Potentially Dangerous Method:
“Daniel Scott Tysdal’s poetry is an exhilarating mix of pop culture, philosophy, mythology, and visual art. Here is a poet who possesses the rare combination of experimental instinct and communicative acuity. Read this book for its confident virtuosity, its innovative spirit, and its surprising generosity.”—Jon Paul Fiorentino
“Tysdal recognizes and deconstructs—playfully—the patented absurdity of conventional language. He employs academic, literary, and pop cultural terms, references, discourses, and images to underscore the implicit argument here that standard semantic structures—rhetorics—obscure truth and, thus, Justice. Yet, for all their high-minded, critical jouissance, the lyrics are lively with accessible puns, jokes, games, and satire.”—George Elliot Clarke, author of Whylah Falls
“Tysdal at his best creates a complex, multidimensional, and often contradictory layering of thought and feeling; this tremendously rich, inventive, and energetic book is a most auspicious debut.”—Malcolm Woodland, “Letters in Canada 2006: Poetry,” University of Toronto Quarterly
Daniel Scott Tysdal is the author of Predicting the Next Big Advertising Breakthrough Using a Potentially Dangerous Method (Coteau 2006), which received the ReLit Award for Poetry (2007) and the Anne Szumigalski Poetry Award (2006). His work has appeared in a number of Canadian literary journals and has earned him both an honourable mention at the 2003 National Magazine Awards and a place in the finals of the CBC’s 2005 National Poetry Face-Off. He teaches creative writing and English literature at the University of Toronto, Scarborough.
In Fraser Sutherland’s latest collection of poems, Manual for Emigrants, all the myriad aspects of exile and belonging are explored in ways both witty and moving.
The voices of the outsider and the voices of those who believe they belong are juxtaposed in an impassioned dialogue that resists conclusion.
Fraser Sutherland has made a practice of hanging around people whose first language isn’t his own, and are otherwise as different as possible from him. Which is surprising, or maybe isn’t, because he is descended from an unbroken line of Highland Scots, was born in northern Nova Scotia, and has lived in Halifax, Ottawa, Montreal, and Nelson, B.C. He now resides in Toronto.