ISBN-10: 1-55192-777-2
ISBN-13: 978-1-551927-77-0
Price: $29.95
Pub Date: March 2005

Now being distributed by Tightrope Books

With this groundbreaking anthology, poets and teachers Kate Braid and Sandy Shreve set out to explore Canadian form poetry. The result is a thrilling collection of 175 poems, over 140 poets from the 18th century to the present day, and 20 distinct poetic forms (sonnets and ghazals, triolets and ballads, epigrams, pallindromes, blues and more) that will appeal to every poetry-lover as well as teachers and students of poetry.

Poets include Bliss Carman, Sir Charles G. D. Roberts, Dennis Lee, George Elliott Clarke, Alden Nowlan, Gwendolyn MacEwan, Molly Peacock, Lorna Crozier, Anne Simpson, Emile Nelligan, Adam Sol, Barbara Nickel, Christian Bok and over 100 more. “No verse is free for the poet who wants to do a good job.” -T. S. Eliot

About The Editors

Kate Braid (Vancouver) is the author of three acclaimed books of poetry. Her books have won the Pat Lowther and VanCity Book Prizes and been shortlisted for the Dorothy Livesay Prize. She teaches at Malaspina University-College.

Sandy Shreve (Vancouver) is also the author of three books of poetry. She has received the Earle Birney Prize for Poetry and been shortlisted for the Milton Acorn People’s Poetry Award and a National Magazine Award for Poetry. She founded Poetry in Transit in BC.

ISBN-10: 1-926639-42-1
ISBN-13: 978-1-926639-42-0
Price: $19.95
Pub Date: Fall 2011

The third in a series that launched to excitement and acclaim in 2009, The Best Canadian Essays 2011 covers an impressive variety of topics. New series editor, Christopher Doda, and guest editor, Ibi Kaslik, infuse the series with a breath of fresh air—selecting insightful and provocative essays from Canadian magazines that range from personal insights on post-partum depression, a pro-smoking diatribe, and an appreciation of the great opera singer Maria Callas to pieces on “wage slavery”, the plight of zoo elephants, Canada’s ongoing war in Afghanistan and much more. The Best Canadian Essays 2011 exemplifies the outstanding quality and stunning diversity of Canadian nonfiction writing today.

About the Guest Editor

Ibi Kaslik is an internationally published novelist, freelance writer, and teachers. Her most recent novel, The Angel Riots, is a rock’n'roll comic-tragedy and was nominated for Ontario’s Trillium award in 2009. Her first novel, Skinny, was a New York Times Bestseller and has been published in numerous countries. A native of Toronto, Ibi teaches creative writing at the University of Toronto’s School of Continuing Studies and works as an art educator for youth.

About the Series Editor

Christopher Doda is an award-winning critic, editor, and poet. He is the author of two collections of poetry, Among Ruins (2001) and Aesthetics Lesson (2007). His poems and reviews have appeared in journals and magazines across Canada and he was an editor at Exile: The Literary Quarterly for five years. He is currently the review editor for the online journal Studio.

ISBN-10: 1-926639-41-3
ISBN-13: 978-1-26639-41-3
Price: $19.95
Pub Date: Fall 2011

The outstanding success of The Best Canadian Poetry in English series continues in 2011 with guest editor Priscila Uppal.

The Best Canadian Poetry in English 2011 proudly continues a series that kicked off with a bang in 2008 and thrives under the stewardship of esteemed editor Molly Peacock and a different acclaimed poet guest editor each year.

This year Priscila Uppal chose the fifty best Canadian poems published in Canadian online and print literary journals in 2010. With this anthology, readers– often baffled by the proliferating poems and poets– are able to tap into the remarkable and vibrant Canadian poetry scene.

About the Guest Editor

Priscila Uppal is a poet, novelist, and York University professor. Her publications include Ontological Necessities (shortlisted for the Griffin Poetry Prize), Traumatology, Successful Tragedies (Bloodaxe books, UK), Winter Sport: Poems (written as Canadian Athletes Now poet-in-residence for the Olympic and Paralympic Games) the novels The Divine Economy of Salvation and To Whom It May Concern, and the study We Are What We Mourn: The Contemporary English-Canadian Elegy. Time Out London recently dubbed her “Canada’s coolest poet.” Visit priscilauppal.ca

About the Series Editor

Molly Peacock is the author of six volumes of poetry, including The Second Blush; a memoir, Paradise, Piece by Piece; and a one-woman show in poems, “The Shimmering Verge.” She is a contributing editor of the Literary Review of Canada and a faculty mentor at the Spalding MFA Program. Her latest work of nonfiction is The Paper Garden: Mrs. Delaney Begins Her Life’s Work at 72, which was nominated for BC’s National Award for Canadian Non-Fiction.

Praise for The Best Canadian Poetry series

“Some of us can only afford a half a dozen or so subscriptions to literary magazines, so the publication of The Best Canadian Poetry in English, now in its third year, is a welcome event.”
- Maxianne Berger, Rover Arts

“This would be an excellent book for the academic and the casual poetry fan who wants to dust off the rust in their CanLit poetry ligaments.”
- Michael Peckham, Broken Pencil

“The collection is a unique glimpse at a diversity of poets, from Ottawa’s David O’Meara to Margaret Atwood to the reverend P.K Page.”
- Cormac Rae, Ottawa Xpress

ISBN-10: 1-926639-39-1
ISBN-13: 978-1-926639-39-0
Price: $15.95
Pub Date: November 2011

This sparse and powerful poetic debut, weaves a tale of heartache, dissolution, and coming of age.

Onion Man is an intense and masterly sculpted series of linked poems set in London, Ontario, in the late 1980s– a time in Canada when the recession lay like a lead weight on the shoulders of young people, leaving the future bleak.

The poems are told from the point of view of an eighteen-year-old girl working for the summer at a corn canning factory, and they follow her relationship with her factory job, her boyfriend, her alcoholic mother, her terminally ill grandfather, and the man who every night “peels an onion and eats it as if it were an apple.”

The Onion Man doesn’t speak English and is tormented by the other workers. After his son dies, he commits suicide at the factory, and the girl finds his body. This traumatic event causes her to rethink the direction of her life.

About the Author

Kathryn Mockler teaches poetry and screenwriting at the University of Western Ontario. She received her MFA in Creative Writing from the University of British Columbia and her Honours BA in English and Creative Writing from Concordia University. Excerpts of Onion Man were shortlisted from the 2010 CBC Literary Award. Her writing has been publishing in Rattling Books, La Petite Zine, This Magazine, Geist and subTerrain. The films have been broadcast on TMN, Movieola, and Bravo and have screened at numerous festivals. Originally from London, Ontario, she now resides in Toronto.

Praise for Onion Man

“Mockler can’t hide anything in lines this clean and spare. Onion Man delivers a bold, candid voice. It’s a book of brave choices. We have a winner in Kathryn Mockler.
– Michael V. Smith

“With Onion Man, Mockler does for the Pillsbury factory was Dante did for hell. But Mockler is funnier. Nearly every piece on this epic, romantic novel-in-verse cracked me up and, like the best comedians, Mockler breaks your heart while she makes you laugh. Her deadpan wit is dead-on and her understated insight is fathoms deep. You’ve never read a book of poetry like this.”
– Sharon McCartney

ISBN-10: 1-926639-40-5
ISBN-13: 978-1-926639-40-6
Price: $19.95
Pub Date: Fall 2011

How to Get a Girl Pregnant is a frank and funny memoir about a dyke trying to get pregnant.

Karleen Pendleton Jiménez has known that she was gay since she was three years old and wanted to have a baby for almost as long. But how is a butch Chicana lesbian supposed to get sperm? Picking up men at nightclubs and restaurants? Asking queer male friends for a donation? Using sperm banks dominated by blue-eyed and blond-haired donors?

This candid and humorous memoir follows Karleen’s challenges, adventures, successes, failures, humiliations, and triumphs while attempting to fulfill her dream of giving birth to a child. It is a confession of desire, humility, and the search for perfection.

About the Author

Karleen Pendleton Jiménez is the screenwriter of the award-winner film Tomboy, and the author for the children’s book Are You a Boy or a Girl?, a finalist for the Lambda Literary Award. She is a professor of education at Trent University. Raised in LA, having lived in Berkeley and San Diego, she now makes her home in Toronto.

ISBN-10: 1-926639-38-3
ISBN-13: 978-1-926639-38-3
Price: $19.95
Pub Date: Fall 2011

In this crackling debut, Ashley Little creates a new anti-hero — one whose audacity is matched by his vulnerability.

PRICK is narrate by twenty-one year old Anthony “Ant” Young: an artist, an asshole, and an anti-hero. After fleeing a violent home life in Calgary, Ant moves to Victoria, BC, where he earns his tattooing apprenticeship under Hank the Tank, a founding member of the powerful Lucifer’s Choice motorcycle gang. Under Hank’s guidance, Ant learns the craft and business of tattoo, but he is also exposed to a vicious and frightening criminal underworld.

Written in intense, rapid-fire bursts, PRICK explores themes of addiction, desire, and remorse. As Ant’s life stumbles out of control, he struggles to hold on to the one thing he really cares about.

Ashley Little follows in the footsteps of Bret Easton Ellis and Heather O’Neill in this unforgettable, disturbing and darkly funny tale.

About the Author

Ashley Little received a BFA in Creative Writing from the University of Victoria. She won the 2008 Okanagan Short Story Contest. Her work has appeared in Broken Pencil, The Danforth Review, Room and the anthology Writing Without Direction: Ten and a Half Stories by Canadian Authors Under Thirty (Clark-Nova, 2010). She lives in Ucluelet, BC.

Praise for Prick: Confessions of a Tattoo Artist

“Fearless, the straight stuff! An arresting look at the world of tattoo; graphic as a freshly embroidered skull on virgin skin. Via the morally ambiguous point of view of an eager young apprentice, PRICK is an entree to a world not often seen and even less understoof. With wistful shades of Willie Vlautin and al the grit of Charles Bukowski, Ashley Little lushly demonstrates that hers in an important new voice in unflinchingly real storytelling.”  – Dennis E. Bolen, author of Kaspoit!

ISBN-10: 1-926639-36-7
ISBN-13: 978-1-926639-36-9
Price: $18.95
Pub Date: Spring 2011

Award-winning poet Jim Johnstone unites science, poetry, and art in an innovative and intellectual examination of the symbolism associated with locusts.

A long poem that probes love and loss in fragments of verse and hybrid-media collage, Sunday, the locusts is a post-apocalyptic tour-de-force.

Drawing on a variety of disciplines including developmental biology, geology and philosophy, Jim Johnstone and Julienne Lottering blur linguistic boundaries to create a unique collaborative text.

Hymn, map, portent—Sunday, the locusts warns against inevitable extinction while also revelling in the vivacity of personhood.

About the Author

Jim Johnstone (b. 1978) is a writer and physiologist in Toronto. He is the author of two previous collections of poetry: Patternicity (Nightwood Editions, 2010) and The Velocity of Escape (Guernica Editions, 2008). His poems have been published in several Canadian magazines, including Descant, enRoute, The Fiddlehead, Grain, Maisonneuve, The Malahat Review, and PRISM International and anthologized in The Best Canadian Poetry in English 2010. He is the founder and editor of Misunderstandings Magazine and poetry editor of Cactus Press. See jimjohnstone.wordpress.com.

About the Illustrator

Julienne Lottering was born in South Africa but has been living in Canada and exhibiting in Toronto, Lyon, and New York since 2000. Her artwork has appeared on the book cover of Life and the Sheath of Enlightenment and in Misunderstandings Magazine.

Praise for Patternicity

“Patternicity transforms the mundane into the otherworldly.”
—Mark Callanan, Quill & Quire

“I love Patternicity for its dirty noises . . . Jim Johnstone’s forms are shapely, but feral. His music is beautifully rational, complex and charismatic.”
—Carmine Starnino

ISBN-10: 1-926639-32-4
ISBN-13: 978-1-926639-32-1
Price: $19.95
Pub Date: May 2011

An anthology of poetry and fiction with the city of Paris as its unifying thread.

The stunning variety of writing in this volume addresses the city of Paris in all its complexity, while challenging the mythology of expatriate Parisian literature. The anthology contains entries as diverse and disparate as an excerpt from John Berger’s novel, Here is Where We Meet; Suzanne Allen’s ekphrastic poetry, a tongue-in-cheek take on the nineteenth-century novel by Helen Cusack O’Keeffe; Canadian writer Lisa Pasold’s story of a forced extended stay in Paris; and an interview with the celebrated American poet Alice Notley.

Strangers in Paris presents anglophone Parisian writing as it is today, without the veneer and expectations of stereotypes, romantic notions, or iconic representations. More than anything, this anthology is a landmark, a notice that begs and entices readers to explore the current English-language authorship developing in and about Paris.

Featuring work from Suzanne Allen, Mia Bailey, David Barnes, Barbara Beck, Edward Belleville, John Berger, Judith Chriqui, Marie Davis, Sion Dayson, David Eso, Megan Fernandes, Jorie Graham, Jeffrey Greene, Jonathan Hamrick, Isabel Harding, Marty Hiatt, Margaret J. Hults, Andrea Jonsson, Julie Kleinman, Antonia Klimenko, Sam Langer, Colin Joseph Wolfgang Mahar, Alexander Kolya Maksik, Jessica Malcomson, Danielle McShine, Alice Notley, Helen Cusack O’Keeffe, Lisa Pasold, Rufo Quintavalle, Alberto Rigettini, Sarah Riggs, Eleni Sikelianos, Kathleen Spivack, Cole Swensen, Elizabeth Willis, and Neil Uzzell.

Editor Biographies

David Barnes moved to Paris in 2003 with the idea of staying for six months. He is still there. He won Shakespeare and Company’s short story competition, Travel in Words, in 2006 and now runs a writing workshop there and a weekly open mic poetry night in Belleville called SpokenWord. His stories have been published by Spot Lit Magazine, Upstairs at Duroc, and 34th Parallel.

Megan Fernandes is a PhD student at the University of California, Santa Barbara. She is currently writing a dissertation on cognitive approaches to twentieth-century Irish and American literature. During her time in Paris, she has conducted research at the Center for Literature and Cognition at the Université Paris VIII and will be published in the upcoming issue of Upstairs at Duroc (2010). She has presented at conferences in the US, Ireland, and Poland and has an essay on Beckett to be published in the literary journal, Miranda (University Press of Toulouse).

ISBN-10: 1-926639-34-0
ISBN-13: 978-1926639345
Price: $17.95
Pub Date: June 2011

Figure skater turned roller derby girl Neddy will bowl you over in Heather Wood’s uplifting book about growing up and deciding for yourself.

Neddy rejects the sacrifices necessary to succeed as a figure skater—early mornings, a diet of apples and celery, and the pressure to perform—in favour of the rough and tumble adventures and fiesty camaraderie of the roller derby community.

Her father is out of the country while she embarks on her first year of university, so Neddy is free to consider her guilt about not following in her mother’s footsteps, navigate a new love, and discover who she really is and what she really wants.

Praise for Roll With It:

“Readers will roll and spin and root for Neddy. I certainly did!” —Sheree Fitch, author of Pluto’s Ghost

“A fun, painful, yet joyful celebration of one athlete’s coming of age, readers will find Neddy’s story of smashing it up on the derby floor irresistibly engaging—this book is for anyone who has ever seized a challenge, put on a pair of skates, or believed in the long shot.” —Ibi Kaslik, author of Skinny and The Angel Riots

“Neddy’s my kind of young woman: fearless, opinionated, and not afraid to wipeout on the derby track. Any girl who identifies with tough, in- your-face heroes, rather than perfect princesses, should read this book immediately. Then go out and buy some roller skates and a helmet!” —Emily Pohl-Weary, author of A Girl Like Sugar and Strange Times at Western High

About the Author

Heather J. Wood was born and raised in Montreal. She now lives and writes in Toronto. Tightrope Books published her first novel, Fortune Cookie, in 2009.

ISBN-10: 1-926639-33-2
ISBN-13: 978-1-926639-33-8
Price: $15.95
Pub Date: Spring 2011

Governor General’s Award finalist Ruth Pierson’s third collection of poetry articulates the oppositional emotions that develop with the loss of a loved one.

While humour, fond remembrance, and wry awareness break through, contrariness tinges many of the poems in this collection, a contrariness rooted in rueful self-examination, in feelings of living at cross purposes with the expected and the polite, of seeing the world aslant.

At the heart of Contrary is an unflinching portrayal of the emotional maelstrom that overtook the poet as she faced the dying and death of her only brother.

These are poems that mount an opposition, poems that contradict and argue, sometimes in jest, sometimes in deadly seriousness, poems that read unexpected messages into paintings and photographs, poems that are attuned to the dialectic undercurrents of living.

About the Author

Ruth Roach Pierson took up the pen in pursuit of poetry after a distinguished career in academia. Her poems have appeared in ARC, Event, The Fiddlehead, Literary Review of Canada, The Malahat Review, Pagitica, Pottersfield Portfolio, Prism International, Queen’s Feminist Review, Quills, Room of One’s Own, and Vallum as well as a number of anthologies. She lives in Toronto with her partner and their two cats, Haiku and Orange Roughy.

ISBN-10:1-926639-35-9
ISBN-13: 978-1-926639-35-2
Price: $19.95
Pub Date: Spring 2011

From critically acclaimed poet and novelist Jim Nason comes a collection of vivid and affecting stories about the brief moments that change lives.

The characters in these eleven stories live in a world upside down. From the young professional who leaves her high-powered job to explore street life as a graffiti artist, to the gay man who falls in love with a woman, to the spin class fanatic who learns that there’s a fine line between fitness and addiction, these excessive and radical characters create pandemonium wherever they go.

Inspired by everyday people riding the TTC, Jim Nason has crafted a collection of gender- and expectation-bending stories that reveal the extraordinary and often heartbreaking truths behind ordinary life.

Poignant and uplifting, The Girl on the Escalator is a fresh look at the world right outside our door.

Praise for The Girl on the Escalator:

“With an unflinching eye—and evoking ‘lapsed’ territories of Raymond Carver and Norman Levine—Jim Nason guides us artfully, and with cutting-edge wit, through a marginalized world whose quiet, devastating terror is that it may be our own . . . Tough, acutely observed, and tender, the stories in this collection bear the hallmark of a prodigious downtown seer whose unforgettable voice is distinctly his own. A gem of a work.”
—Royston Tester, author of Summat Else

“Nason’s well-drawn characters push themselves to the limit, whatever the limit, and keep going. One excellent story after another, original and very polished. His descriptions and dialogue are right on target—Nason is a terrifically good writer.”
—Elisavietta Ritchie, author of In Haste I Write You This Note: Stories and Half-Stories

Praise for The Housekeeping Journals:

“Nason offers readers a glimpse into characters who are bitter and wise, funny and dignified . . . gorgeously and with grace, glimpses into the beautifully fought lives and deaths of his characters.”
—Mary Horodyski, Prairie Fire

About the Author

Jim Nason’s award-winning poems and stories have appeared in literary journals and anthologies across the United States and Canada, including The Best Canadian Poetry in English 2008 & 2010. He has published two books of poetry: If Lips Were as Red (Palmerston Press) and The Fist of Remembering (Wolsak and Wynn); a third collection, Narcissus Unfolding, is forthcoming from Frontenac House. His debut novel, The Housekeeping Journals, was released to critical acclaim by Turnstone Press in 2007. He lives in Toronto.

ISBN-13: 9781926639086
ISBN-10: 1926639081
Price: $18.95
Pub Date: Spring 2010

A startling and original new voice that owes as much to Black Flag and Bikini Kill as it does to J.D. Salinger and Heather O’Neill.

A South African copywriter is transplanted to the urban jungle of Manhattan. A recovering rape victim tries to resume a normal life. A Toronto nurse cuts herself to fill her emptiness. In Got No Secrets, Danila Botha takes us into the private lives of twelve different women, with only one question in mind: What if these women were you? From addiction to abuse, from childhood to suicide, from Hillbrow, Johannesburg, to downtown Toronto, Botha’s prose is compassionate, provocative, often funny, and always fearless.

Praise for Got No Secrets

“Intensely original and fantastically written.”
-Lydia, The Literary Lollipop

Click here to read an excerpt from Got No Secrets.

Danila Botha was born in Johannesburg, South Africa. She volunteered with Na-me-res, an organization benefiting the homeless, which inspired many of the stories in Got No Secrets. Her writing has appeared in 24 Hours, Yoink! Magazine, and NOW. She lives in Halifax.

ISBN-13: 978-1-926639-13-0
ISBN-10: 1-926639-13-8
Price: $14.95
Pub Date: Spring 2010

Fearless and insightful poems that illuminate one woman’s experience of chronic illness, relationships and gender identity, and solitude.

Anna Swanson’s poetry leads you through a life that tries to deal with a misunderstood illness, a gradual acceptance of one’s sexuality, and a sometimes onerous relationship with nature. Her writing is as honest as it is complex, and it attempts to reconcile an identity that has been distorted by illness through a profound analysis of memory and individual meaning. With poems that run the gamut from fearful to the absurd, that are at once deep and pithy, Anna Swanson proves in The Nights Also that she is a brave new voice in Canadian poetry.

Click to read an excerpt from The Nights Also.

Anna Swanson studied creative writing at the University of Victoria and the Memorial University of Newfoundland. Her poetry has appeared in PRISM International, The Antigonish Review, The Best Canadian Poetry in English 2008, and numerous other literary journals. She has paid the rent by planning festivals, selling books, serving drinks, making maps, walking on stilts, bowling with teenagers, writing press releases, and watching for forest fires. She now lives in Vancouver, BC, and works as a children’s librarian.

Praise for The Nights Also:

“There are the nights, yes, but in this startling debut collection ‘each day is a / thin steel catwalk of light’ and ‘the sun makes its arc across the mouth’ . . . Each word and image is freshly forged. The poems are smart, original, and daring, the footwork so assured that Anna Swanson dances with the future with no missteps. This is a strong new voice that reaffirms my faith in the heartbeat and vision that poetry can give us.”

—Lorna Crozier

“As meditations on illness, these are extraordinary—sad, undermining, and, sometimes, spiked with a sense of humour.”

—Tim Lilburn

“ ‘Oh dear body,” Anna Swanson writes in her impressive debut collection, “How did we get here?” How indeed? Throughout The Nights Also, Swanson asks: What does it mean to be frail and human. What is illness? Health? Gender? Memory? Love? And though Swanson doesn’t (thank God) arrive at any definitive answers, her skill and delight in exploring life’s mysteries and complexities are palpable. These poems—intelligent, passionate, and beautifully executed—announce the arrival of a gifted poet, one I hope we’ll be hearing from for years to come.

—Patricia Young

ISBN-13: 978-1-926639-09-3
ISBN-10: 1-926639-09-X
Price: $16.95
Pub Date: Spring 2010

Ian Burgham once again presents poems of compassion that celebrate all manner of the heartland’s hazards and risks.

In his third collection of poetry, The Grammar of Distance, Ian Burgham writes from his gut and his heart. His imagery is, by turns, sensuous and rough-hewn, soft and hard. The poems crackle with sonic energy; they whinny and stamp. They whistle in the dark. His poetic landscapes frequent the windswept coasts of Scotland; but in this collection, we also find him doing terribly Canadian things like snowshoeing, surveying, chopping wood. Sometimes Al Purdy can be heard in Burgham’s voice and, occasionally, Patrick Lane. His penchant for storytelling and Celtic elegiac moods makes him a solid candidate for the position of poetic counterpart to Alistair MacLeod. Like all strong poets, Burgham’s imagination breaks past borders. Tribal and intense, his poems are conversations with loved ones, lost ones, and all the poets with storms in their bones. They are feisty. They rant. They grieve. They celebrate. Burgham is a thinker, a philosophical poet, a restless soul who asks big questions.

Click to read an excerpt from The Grammar of Distance.

Ian Burgham is an associate of the League of Canadian Poets. Born in New Zealand, raised in Canada, he has lived and worked for extended periods of time in both New Zealand and Scotland. He studied literature at Queen’s University and at the University of Edinburgh. He worked as an editor for Canongate Publishing and later became publisher of Macdonald Publishing in Edinburgh. He has previously published two collections of poetry, A Confession of Birds, a chapbook published in the UK in 2004, and The Stone Skippers, published in 2007 by Tightrope Books and nominated for the 2008 Relit Award. He currently divides his time between Toronto and Kingston. In 2004-5 Burgham won the Queen’s University “Well-Versed” Poetry Award. His work has been published in many Canadian literary journals including Prairie Fire, Contemporary Verse 2 (CV2), The New Quarterly, The Literary Review of Canada, Queen’s Quarterly, dANDelion, Harpweaver, Precipice, Jones Avenue, and Ascent Aspirations.

Praise for The Stone Skippers:

“… a voice you don’t want to miss.” —Di Brandt

“ … concision, leanness and directness …”—A.F. Moritz

“rare and remarkable … the work of one who has the ear for the possibilities of language …”—Alexander McCall Smith

Ian’s poetry has also been integrated into jewelery by artist Jeanine Payer. View the beautiful creations on Jeanine’s website: www.jeaninepayer.com

ISBN-13: 978-1-926639-10-9
ISBN-10: 1-926639-10-3
Price: $14.95
Pub Date: Spring 2010

Poems that reflect the individual’s experience in the urban jungle, combining observation and insight that every city dweller will recognize.

The city, at once benevolent and indifferent to its residents, is the inspiration for this debut collection of poetry by Suzanne Bowness. In the first poem, a young woman arrives in the big city, where “in the beginning, anonymity is everywhere,” and wonders what her life there will bring. Using this new arrival as her starting point, Bowness moves on to develop urban themes of anonymity and collectivity alongside individualist themes of freedom, loneliness, and growing self identity. Part private reflection, part love letter to the metropolis, The Days You’ve Spent pulls back the curtain on city life, finding beauty in neon signs and profundity in laundromats. In these poems, the individual and the city interweave, and urban immersion becomes an essential element in personal growth.

Suzanne (Sue) Bowness is a writer and editor whose poems have appeared in the Literary Review of Canada and Pagitica. Her play The Reading Circle won first place in the 2006 Ottawa Little-Theatre One-Act Playwriting Competition. She is pursuing a PhD in English at the University of Ottawa with a focus on nineteenth-century Canadian magazines.

ISBN-13: 978-1-926639-11-6
ISBN-10: 1-926639-11-1
Price: $18.95
Pub Date: Spring 2010

Sex is casual, but conversation is a serious matter in the outrageous adventures of this contemporary cougar.

In Myna Wallin’s second book, a reluctant cougar tells all. She feasts on young men of all kinds, in a world where sex isn’t dirty but love is coated in grime. In these raucous short stories, she runs the gauntlet of men, including a Harley-riding bikini salesman, a semiotics professor, a foot fetishist, a jaded brand consultant, a homeless man, and a bisexual mime. Written with Wallin’s signature wit, this semiotics of dating is given a postmodern twist.

Click to read an excerpt from Confessions of a Reluctant Cougar.

Myna Wallin is an author and editor born and living in Toronto. She is also an organizer and host of the Art Bar Reading Series. Myna’s first full-length poetry collection, A Thousand Profane Pieces, was published in 2006 by Tightrope Books. Her poetry and prose have appeared in numerous literary journals and anthologies, including The Algonquin Square Table Anthology, Contemporary Verse 2, Existere, Eye Weekly, Kiss Machine, In the Dark: Stories from the Supernatural, the Literary Review of Canada, Matrix, Nod, and Rampike. She recently received an Honourable Mention from Contemporary Verse 2 for their 2009 2-Day Poem Contest. Myna also hosts “In Other Words” on CKLN, where she has been interviewing authors since 2004. After receiving her MA in English Literature from the University of Toronto, Myna taught Effective Writing at George Brown College for several years. For Tightrope she has edited Sandra Kasturi’s The Animal Bridegroom, Phoebe Tsang’s Contents of a Mermaid’s Purse, and co-edited I.V. Lounge Nights with Alex Boyd.

Praise for A Thousand Profane Pieces:

“Wallin’s book is exhilarating: a dollop of sugar-coated acid. Its subtitle should be, Love and the Older, Single Woman: The persona has been hurt, has snapped back, but vows her vulnerability … The tone? Ms. Sylvia Plath Atwood: Satire and Cynicism for the Discriminating Reader. Wallin’s wit exudes wisdom and wrath. Perfect.”
—George Elliott Clarke

ISBN-13: 978-1-926639-15-4
ISBN-10: 1-926639-15-4
Price: $32.95
Pub Date: Fall 2010

Artist Viktor Mitic is making headlines with his controversial gunshot paintings, which feature portraits of celebrities, iconic religious figures, and famous works or art outlined in bullet holes. Shocked by recent incidences of defacement of sacred works of art by fanatics—for example, the destruction of the giant Buddhas of Bamiyan by the Taliban—Mitic’s goal was to use weapons in his art to create rather than to destroy. Guns are naturally perceived with uneasiness, and the image of an artist shooting a painting of an iconic figure carries an intense psychological impact; however, the juxtaposition of beauty constructed out of violence in Mitic’s paintings generates an unexpected feeling of tranquility. In his own words, “Although the process is very loud, there is a sense of peace after the smoke is gone.”

Eleven of the paintings presented in Art or War are accompanied by prose or poetry by a distinguished Canadian author: Erika Ritter, George Elliott Clarke, George Fetherling, Katherine Govier, Catherine Bush, Susan Musgrave, Gary Michael Dault, Barry Dempster, Jim Nason, and Goran Simic. These writers’ creative responses provide an illuminating counterpoint to Mitic’s inspiring and challenging work.

Included as an additional bonus is a film by Laurie Kwasnik of the artist at work, with commentary by Terry Graff, Curator, Beaverbrook Art Gallery; Ryan Grover; Curator, Biggs Museum of American Art; Gary Michael Dault, critic, writer; Charles Pachter, artist; Pamela Edmonds, Curator, Peterborough Art Gallery; Cole Swanson, Curator Living Arts Mississauga; and Ewan Whyte, poet, writer.

Click to read an excerpt from Art or War.

Praise for the paintings of Viktor Mitic:

“Sometimes he’s right on and sometimes he’s not . . . Some of it is smartass, some of it is mischievous, but that’s art too.”
—Charles Pachter, Globe and Mail, USA Today

“Provocative art with religious connotations.”
—Peter Goddard, Toronto Star

“Serious painting, but it’s fun . . . there is levity to it.”
—Terry Graff, Telegraph Journal

[He's] taken . . . an iconic religious image and used a gun on it . . . What next?
—Mark Coles, BBC

ISBN-10: 0978335163
ISBN-13: 9780978335168
Price: $18.95
Pub Date: 2008

Bookstore owner Otherwise meets the beautiful Etcetera one afternoon when she comes into his store. They begin a fantastical erotic road trip that will last twenty-eight days. While travelling they meet characters such as The Marketer, a man who markets the most remarkable goods, and the waitress that falls into the fat fryer and is eaten by the Fat Friar. As Otherwise falls deeply in love, the mystery of Etcetera grows, until at the end of twenty-eight days, his questions are answered, including the most important of all, do you love me?

Click to read an excerpt from Etcetera and Otherwise.

Sean Stanley grew up in the woods of Northern Ontario.

Kristi-Ly Green (Illustrator) lives in Christie-Ossington. Her book of short stories, Nits (Exile, 2000), was short-listed for the 2001 ReLit Awards. Her work has appeared in Exile, The Scrivener, Fireweed, The New Quarterly, and Room of One’s Own.

ISBN-10: 0978335155
ISBN-13: 9780978335151

Price: $21.95
Pub Date: 2008

This collection of graphic poems brings together eighteen works that fall somewhere between a graphic novel and poetic verse.

Participating authors reside across the country and include Derek Beaulieu, Christian Bok, Stacey May Fowles and Marlena Zuber, Tim Gaze, Jake Kennedy, Mark Laliberte, Donato Mancini, Kevin Mcpherson Eckhoff, Gustave Morin, Marc Ngui, Paola Poletto, Daniel Scott Tysdal, Jen Pickering, and Sally McKay.

Their poems tackle the broad topic of boredom: Is boredom a symptom of the absence of love? Does it suggest our present task is too easy?

Inside, graphic doesn’t always trump poetry and thus the ultimate tug of war is in the most captivating sense a real yawnyarn between word and image. We like images and we like words.

With epigonic respect to Dada and concrete poetry and with of-the-moment admiration for the graphic novel we’d like to think (we do think!) editors Jake Kennedy and Paola Poletto have collected something other. They are also flatlanders, mandalas, leg chewers, leaf-shakers, dogs, televisions, bricks, calligraphy, typefaces, remote controls, emblems, tazers, lightning bolts, hotels, and sinking cities. All of them sticking intrepidly an unwavering index into the hirsute gargoyle ear-well of boredom.

Click to read an excerpt from Boredom Fighters.

Jake Kennedy is a poet, prose writer, and teacher. His work has appeared in a number of literary journals and anthologies. His chapbook, Hazard, is published by BookThug. Jake currently teaches in the English Department at Okanagan College.

Paola Poletto is an arts administrator, mixed media and installation artist, writer and curator. Artist-led projects have included Kiss Machine Magazine (co-founding publisher since 2000), Inflatable Museum (on-line exhibit 2001-2004), Girls and Guns (travelling exhibit Toronto-London, 2003; Budapest-Albania-Montenegro & Serbia, 2004), and Robot Landscapes (exhibit Toronto, 2004). She is senior director of programs at Design Exchange, Canada’s national centre for design (www.dx.org), where she oversees youth programs, professional programs, exhibitions, museum collection and research. She is also the director of digifest (www.dx.org/digifest), a festival of design and media culture produced by Design Exchange in partnership with the Ontario Science Centre and Harbourfront Centre.

DOWN WITH ARBOREAL THOUGHT! // A Steel Bananas Project

ISBN-10: 1926639073
ISBN-13: 9781926639079
Price: $18.95
Pub Date: Fall 2009

“From its opening statement, ‘This Book Is a Rhizome,’ to Adebe D.A.’s ‘Poemagogy,’ to John Unrau’s ‘New Age Muskie Considers a Change of Lifestyle,’ Gulch privileges the rhetoric of (and itself exists as an example of) that ever-regenerative genre, the manifesto.”
– Andrew Dubois, University of Toronto Quarterly 80.2

“…the reliability of GULCH is the space it provides for new visions, new styles and new writers.”
– Rabble Magazine

“Gulch plays with the idea of collaboration and does it well, with a buffet of new and exciting work from today’s up and coming talent.”
– Broken Pencil Magazine

Inspired by the theories of Gilles Deleuze and Félix Guattari, GULCH: An Assemblage of Poetry and Prose is a rhizomatic exploration of the modern Canadian literary community.

Drawing on the postmodern themes of detachment and disjuncture, GULCH seeks to create an optimistic snapshot of the pluralities and complexities that constitute the post-pomo literary landscape. Focusing on the theme of fragmentation, Steel Bananas members Sarah Beaudin, Karen Correia Da Silva and Curran Folkers have collected pieces from community artists, Professors, lit students, burgeoning young talent as well as established writers in order to compile a collection that resists the notion of wholeness, privileging instead the multiplicity and diversity found in contemporary globalized culture. This assemblage of poetry and prose bares the innovation and cultural critique of post-millennium Canadian writers, and seeks to expose the beauty of discontinuity.

Featuring work from Adebe D.A., Stephen Cain, Ewan Whyte, Spencer Gordon, Chris Felling, Matthew Hall, Daniel Tysdal, Chris Eaton & Virtual Collaborators, Amanda Lee, JJ Steinfeld, Emma Healy, Wally Keeler, Jon Eskedjian, Vincent De Freitas, Craig Alexander, Heather Babcock, Richard Rosenbaum, Jerry Levy, Alex Consiglio, Sarah Beaudin, Ursula Pflug, Kathleen Brown, Matthew Moliterni, Darryl Salach, Shannon Robinson, Miles Henry, Shannon Webb Campbell, John Unrau, Nathaniel G Moore, Zack Kotzer, Firdaus Bilimoria, Jimmy McInnes, Steph Tracey, James Arthur, Melanie Janisse, Corrigan Hammond, N Dana Jerabek, Shannon Maguire, Ryan Tannenbaum, Karen Correia Da Silva, James Papoutsis, Christopher Olsen, Alyksandra Ackerman, Curran Folkers, James Hatch, John C Goodman, Andrew McEwan, John Nyman, Mark Reble, Jamie Ross, Devon Wong, N Alexander Armstrong.

Click to read an excerpt from GULCH.

Steel Bananas is a not-for-profit art collective and culture zine. They publish a rag-bag of contemporary Canadian writers and art-bums on the 15th of each month, aiming to critically and playfully explore contemporary cultural theory and the varying facets of contemporary urban culture. They’re proud to augment all virtual content with print media or in-the-flesh art happenings around Toronto, and to support independent, alternative, and marginal art in Canada.

http://www.steelbananas.com