Join Tightrope Books in Montreal to celebrate the launch of Megan Fernandes’ debut poetry collection, The Kingdom and After.
Mike Spry will host the evening, which will feature readings by Megan Fernandes and Lisa Hiton. There will be door prizes, refreshments, mingling, and books for sale!
Date: Thursday, March 19, 7:00pm
Location: Drawn & Quarterly, 211 Bernard Ouest, Montreal
The Kingdom and After charts the twenty-first century imaginative echo of empire and displacement in our current moment of terror and globalization. Sometimes written in frank, shrunken lines and other times exploding with surrealist, jurassic imagery, the poems witness an associative mind leaping from bone temples in Tanga to the pumiced surface of extraterrestrial oceans, from a panic attack in Mumbai to the tumbling spirits of the Big Sur coastline.
“‘Am I accountable for these histories?’ writes Megan Fernandes in her memorable poem ‘Archives.’ Yes and no—her fresh, embracing imagination attends to several continents, many languages and cultures, with the originality of one who looks at a piano from below, seeing the ‘woody spirit of the instrument,’ its cavern and brackets, attentive to the sound of ‘the chimptas, fire gongs with bells’ and ‘the swampy Goa.’ (‘The Piano and the Ivy.’ ) A book of pleasures, wild inventions and profound clarity.”—Robert Pinsky, Poet Laureate of the United States (1997-2000)
“In these limpid poems, Megan Fernandes finds her way back to roots and origins, even as she charts our many topographical, dreamed, amatory, and atomic detours. ‘Touch everything,’ she entreats, ‘Tell me about the broken terrain.’ It is the poem’s job to graph and weave from here to there and back again, and this she does, returning with much-needed news of our follies and fortunes.”—Eleni Sikelianos, author of Body Clock and The California Poem
“The Kingdom and After greets us with a mysterious and worldly look inside Fernandes’ personal timeline… Her characters are sentimental, melancholic at times, and ask us to slow down, to absorb into shades of yellow and green, and to befriend unsolicited ghosts. It is impossible for us, as readers, to dismiss the power behind Megan Fernandes’ stories.”—Alyse Richmond, Coal Hill Review
“The poems are surely thought provoking as they render a patchwork of time, space, histories, psychology, communities and intimacy… you’ll certainly want the poems to sit by you for long.”—Linda Ashok, The Rumpus
“Fernandes creates moments of bliss… She’s taken time to imagine new ways of navigating broken and layered terrains, and I would highly recommend it.”—Naomi B, Broken Pencil
“Wondrous and heartbreaking, The Kingdom and After is woven with subtlety and intricate placed lines of poetry that pull apart the layers of society to show what lingers behind the seemingly mundane.”—Nav Nagra, Room
Megan Fernandes is the poetry editor of the anthology Strangers in Paris and the author of two chapbooks of poetry: Organ Speech (Corrupt Press) and Some Citrus Makes Me Blue (Dancing Girl Press). Her work has been published or is forthcoming with Black Lawrence Press, the Boston Review, Rattle, Guernica, Memorious, and Redivider, among others. She earned her PhD in English from the University of California, Santa Barbara, and her MFA in poetry from Boston University. Currently, she teaches at Lafayette College.
You are invited to join Tightrope Books over two Sunday afternoons in March (22nd and 29th) at our cozy office in downtown Toronto for a spirited, in-depth investigation into the nature of poetic inquiry, through a combination of lecture, master class and panel discussion.
What do poets have in common with journalists, academics, scientists and even detectives? They may employ different methods. They may be driven by different motivations. But poets are researchers. Poets are reporters.
Poetry, no matter its form, is driven by a sense of honest inquiry—often urgent inquiry. Aside from such well-known ingredients as observation, contemplation, rhythm, mastery of language, powerful feeling, voice and a way with metaphor, poems are built on facts. But how do the fruits of a poet’s investigations, be they public or personal or both, transform into art? And why strive for this elusive alchemy?
Anita Lahey, BCP assistant series editor, will lead the sessions, and will be joined by BCP poets Rob Winger and Kim Trainor for the second Sunday’s panel discussion. (Kim will be joining us via Skype from Vancouver!) Other BCP poets from across the country are already weighing in on the topic: their ideas will be braided into our discussions.
Together we’ll dig for new perspectives on the making of poetry and its role in posing questions relevant and essential to society and humanity.
Cost for both session: $75
Lecture and Master Class
Sunday, March 22, 1-4 p.m.
Panel Discussion and Seminar
(with Rob Winger and Kim Trainor)
Sunday, March 29, 1-4 p.m.
Location: Where: Tightrope Books, 207-2 College Street, Toronto, 416-928-6666.
Sign up early—space in the room is limited! Click on “Add to Cart” to pay securely by PayPal. You do not need a PayPal account to do so. Should you wish to make alternate payment arrangements, please contact firstname.lastname@example.org